Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/62

One End of a Table (1872); Flowers and other objects (1874); Flowers, Birthday of Berlioz (1876); Reading (1877); Last Scene of Rheingold (1880); Woman Embroidering (1881); Spring Night, The Study (1884); Around the Piano (1885).

FARINATI, BATTISTA, born at Verona in 1532, died in 1592. Venetian school; history painter, nephew and probably pupil of Paolo; was the fellow-student and friend of Paolo Veronese, whom he assisted in his works in the Palazzo della Soranza at Castelfranco, and in public buildings in Venice. Works: Conversion of St. Paul, Miraculous Draught of Fishes, Vicenza Cathedral; The Virtues, The Studies, Palazzo Ducale, Venice; Frescos in Villa Obizzo at Catajo; Holy Family, Lochis-Carrara Gallery, Bergamo.

FARINATI, PAOLO, born in Verona in 1524, died in 1606. Venetian school. He belonged to a famous Florentine family, the Farinati degli Uberti, who in the 13th century were at the head of the Ghibellines of Florence. Dispersed by the Guelphs, a branch of the family settled in Verona, where Paolo became its most distinguished member. His first master was Niccolò Giolfino, on leaving whom he is said to have gone to Venice to study Giorgione and Titian; but his style resembles rather that of Giulio Romano than that of either of those masters, and it is certain that he spent some time in Mantua, where he painted a St. Martin for the chapel of the Sacrament in the Duomo. Ten of his pictures are in the Museum at Verona. In S. Maria in Organo are four, of which the Massacre of the Innocents is dated 1566, and in S. Anastasia two, one of which, a Christ between SS. Peter and Paul, is dated 1589. In S. Giorgio Maggiore is the Multiplication of the Loaves, painted in 1603, when Paolo was seventy-nine years old. Other examples of his work are in the Duomo, in S. Giovanni in Fonte, in S. Pietro in Monasterio, in S. Tommaso, in S. Nazzaro e Celso, and in the Palazzi Carlotti, Serego, and Murari. Farinati painted much in fresco. His son and pupil, Orazio, was also a history painter; works in S. Paolo, S. M. del Paradiso, and S. Stefano, Verona.—Vasari, ed. Le Mon., xi. 135, 139, 249; xiii. 109; Bernasconi, Studij, 347; Burckhardt, 192, 746; Siret, 308; Ch. Blanc, École vénitienne.

FARNESE, ALESSANDRO, Cardinal, portrait, Titian, Naples Museum; canvas, figure to knees, life-size. Painted in 1543. Bust of same, attributed to Titian, in Palazzo Corsini, Rome.—C. & C., Titian, ii. 89; Vasari, ed. Mil., vii. 446.

FARNESE, PIER' LUIGI, portrait, Titian, Palazzo Reale and Museum, Naples; wood, figure to knees, life-size. In silk doublet and velvet cap. Painted in 1543, when Pier' Luigi was Duke of Castro. A second portrait in the Museum, painted in 1546, when he was Duke of Parma, represents him in armour, bareheaded, near a helmeted soldier, who bears the standard of Parma.—C. & C., Titian, ii. 88, 130.

FARNY, HENRY F., born at Ribeauville, Alsace, 1847. Figure and genre painter; went to America in his seventh year. Pupil of Munkacsy in Düsseldorf and of Professor Diez in Munich. Sketched and painted in different parts of Europe in 1867-70. Studio in Cincinnati. Works: Silent Guest; Idyl.—Am. Art Rev. (1881), 1.

FARRER, HENRY, born in London, March 23, 1843. Landscape and marine painter; self-taught. Went to America in 1861. Paints in oil and water-colour, but is best known by his etchings. Has exhibited in London, Paris, and New York. Studio in New York. Works in oil: Quiet Pool (1878); Sunset—Gowanus Bay; Road to the Landing (1881); Winter, Autumn (1882); Now came Still Evening on (1883); Sweet Restful Eve (1884). Water-Colours: Sunset, When the Silver Habit of Clouds comes down upon the Autumn Sun (1884).—Am. Art Rev. (1880), 55.

FARRER, THOMAS C., born in London;