Vienna. Engraved by J. H. Robinson, P. Lightfoot, S. C. Hall, R. Graves, A. H. Payne, R. Cockburn, C. Cousen.—Curtis, 281; Art Journal, 1877; Art Union, 1841; Scott, Murillo; Waagen, ii. 346; Ch. Blanc, Murillo, 16; Jameson, Public Galleries, 483; Richter, Dulwich Cat., 99.
FLOWER MARKET, Firmin Girard, T.
R. Butler, New York. Scene on the quay
where the flower-market of Paris is held,
with groups buying and selling; in background,
the Seine and architecture. Salon,
1876. Etched by Gustave Greux.—L'Art
(1876), ii. 300; iii. 240.
FLÜGGEN, GISBERT, born in Cologne,
Feb. 9, 1811, died in Munich, Sept. 3, 1859.
Genre painter, pupil of Düsseldorf Academy.
In 1835 he settled in Munich. Has
been called the German Wilkie on account
of the similarity in subject and character of
his works to those of the Scotch master.
Works: Servants Surprised (1839), Hermitage,
St. Petersburg; Chess Players, Interrupted
Marriage Contract (1840); Unlucky
Player (1841), Mentz Museum; Deciding
the Lawsuit (1847); Betrothal, Tasting Wine,
Morning Kiss, Opening of Will, Money
Changers (1850); Seizure for Debt at Young
Musician's (1854); Disappointed Legacy
Hunters (1848), Hanover Gallery; Speculators;
Last Moments of King Frederic Augustus
of Saxony; Anteroom of a Prince
(1859), New Pinakothek, Munich.—Allgem.
d. Biogr., vii. 140; Brockhaus, iv. 982.
FLÜGGEN, JOSEF, born in Munich,
April 3, 1842. History and portrait painter,
son of Gisbert, pupil of Munich Academy
and of Piloty, went in 1866 to Paris, London,
Brussels, and Antwerp, where he was
influenced by Leys. Now professor in Munich
Academy. Works: Elizabeth of Thuringia
(1867); The Hostess' Daughter (1869);
Family Happiness; On Coast of Genoa;
Pouting Love-Couple; Milton dictating
Paradise Lost; Landgravine Margaret taking
Leave of her Children; Regina Imhof
(1877); Baptism of Emperor Maximilian I.
(1879); First Booty (1881); Last Jewel
(1884); King Karl's Sea-trip (1885), Royal
Palace, Bucharest.—Brockhaus, vi. 929;
Illustr. Zeitg. (1882), i. 9; N. illustr. Zeitg.
(1880), ii. 503; Land und Meer (1870), i.
212; Zeitschr. f. b. K., xix. 135.
FOGOLINO, MARCELLO, of Vicenza,
first half of 16th century. Venetian school;
a native of the district of Friuli, he was apprenticed
at Vicenza, and spent some of his
later years in San Vito; painted also in Pordenone
and in Trent. His early work is in
the manner of Verlas and Speranza, but his
later pictures show the influence of Raphaelesque
models. Among the latter are the
Virgin crowned by Angels in the Santissima
Trinità, Trent, and the Madonna and Saints
in the church of Bovo, near Trent.—C. &
C., N. Italy, i. 443.
FOHR, DANIEL, born at Heidelberg,
May 13, 1801, died at Baden-Baden, June
25, 1862. Landscape painter, brother of
Karl Ph. F., self-taught, came in 1829 to
Munich, where he rapidly gained reputation.
Works: Wood Landscape with Mazeppa,
View of Königsee (1836); The Steinberg
near Berchtesgarten (1837), Four Seasons
or Four Epochs of German History, Carlsruhe
Gallery.
FOHR, KARL PHILIPP, born at Heidelberg,
Nov. 26, 1795, died in Rome, June 29,
1818. Landscape painter, pupil of Munich
Academy. Influenced by Josef Anton Koch
at Rome, where he was drowned while bathing
in the Tiber. Works: In Carlsruhe
and Darmstadt Museums, and Städel Gallery,
Frankfort.—Allgem. d. Biogr., vii.
147; Dieffenbach, Leben des Malers K. F.
(Darmstadt, 1823).
FOLTZ, PHILIPP, born at Bingen, May
11, 1805, died in Munich, August 5, 1877.
History and genre painter, pupil of Düsseldorf
and Munich Academies under Cornelius,
whom he assisted in the decoration of
the Glyptothek. After painting some frescos
in the new Royal Palace, he went to
Rome in 1835, and on his return became
professor at the Munich Academy in 1839,
and director of the Central Gallery in 1855.
