Waagen for an original.—Waagen, Art Treasures, iv. 340, 370; Athenæum (1863), 539.
FORTUNE, WHEEL OF, Burne-Jones,
Arthur Balfour, Esq., M.P., London; large
upright picture. The goddess Fortune, a
tall, sad figure, clad in grayish-blue, stands
at left, turning round in a listless way the
terrible wheel, on which are bound three
nude figures, the laurel-crowned poet, the
sceptred king, and the slave, alike cowed
and wretched, the victims of a cruel and all-powerful
chance. Grosvenor Gallery, 1883.
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FORTUNY Y CARBÓ, MARIANO, born
at Rëus in Catalonia,
June 11, 1838, died
in Rome, Nov. 21,
1874. Genre painter,
pupil of Palau, of
Claudio Lorenzalez,
and of the Barcelona
Academy, where he
won the prix de Rome
in 1856. At Rome,
which became thenceforth
his principal residence, he studied
Raphael and made sketches of Roman life.
In 1859 he was sent to Morocco by the government
to paint the incidents of General
Prim's campaign, and during this and a
second visit painted a large picture of the
Battle of Tetuan, besides making many
sketches of Moorish life. In 1866 he went
to Paris, where through Zamacoïs he entered
into business relations with Goupil; and
then to Madrid, where (1867) he married the
daughter of Madrazo, director of the Madrid
Museum, and studied the works of Velasquez,
Ribera, and Goya. With the exception
of a year in Paris (1869-70) and three
years in Spain, he spent the rest of his life
in Rome. His vigorous and original style,
correct drawing, and fine colour gained him
a great reputation, and the auction sale of
the contents of his studio after his death
brought 800,000 fr. ($160,000). Works: A
Glory (1854), original destroyed, sketch belongs
to Mr. Galceran, Barcelona; Virgin of
Pity (1855), Mr. Soberano, Rëus; St. Paul
before the Areopagus (1855), Charles of Anjou
on the Shore of Naples, Beranger III.
nailing the Arms of Barcelona to the Castle
of Foix (1857, won the prix de Rome),
Odalisque, The Little Count, 17 faces from
Nature, Studies in Morocco (1862), Battle
of Tetuan, Barcelona Museum; View of the
Tiber, Nereids on a Lake (1858); St. Mariano,
Church of Rëus; Bacchantes (1859);
studies in Morocco (oil and water-colour,
1860); Arabs Dancing, Mr. Chartrand,
Cuba; Head of a Negro (1861), the Collector
of Engravings (1863), The Masks,
Roman Countrywoman, Old Roman Peasant,
Fruit Shop in Granada, Study of Chickens,
Academicians of St. Luke choosing a Model,
Street in Morocco, Arab Reclining (1869),
Stairs of Casa de Pilatos in Seville, The
Drunkard, Arquebusier, Tribunal of the Alhambra,
Returning to the Convent, Café des
Hirondelles (1866), Arab Fantasia, The Antiquaries,
Mr. W. Stewart, Paris; Arab Sentinel,
Mr. d'Arthez, Tarragona; Three Odalisques,
Arab shoeing a Donkey, Mr. Sanz,
Madrid; Pond near Tangiers (1865), Man
with Helmet, Mr. Goupil, Paris; Collectors
of Engravings, Woman in a Garden, Roman
Peasant Woman, Departure of the Procession,
The Library, Carpet Merchant (1870),
Arab on a Rug, Mr. Murrieta, London; The
Masks, The Butterfly (1867), Arab Seated,
A Concert, Mr. de Goyena, Seville; Standard
Bearer, Mr. Hazeltine, Rome; Faust
dand Marguerite, Persian, Idyl, Old Man,
Arab on Horseback, Mr. Ramon Errazu,
Paris; An Arab, Mr. Cusino, Peru; Departure
of the Procession, Arabs feeding a
Vulture, A Fan, The Butterfly (1868), Mr.
Gargollo, Madrid; Bull Ring at Seville,
Bull-Fighter's Salute, the Butterfly, Door of
the Church of San Gines, Mr. F. De Madrazo,
Madrid; The Carnival, Mr. Ayala;
Spanish Marriage (1869), Mme. de Cassin,
Paris; Snake Charmers, Mr. Ed. André,
Paris; Bull-Fighter, Mr. Le Roy, Paris;
Arquebusier, Mr. d'Épinay, Rome; Court
of the House of Chapiz in Granada (1871);
Arab Praying (1872), Mr. Oppenheim, Paris;