Order of Red Eagle. Works: Altenburgers coming from Church, Altenburgers in the Field (1838); Kid, Playmates (1842); Little Hero (1843); Bedfellows, Boarder (1844); Greeting, Doves, Woman and Child from the Hartz, Expectation (1845); Grandfather's Pet, Mother's Anxiety (1846); Playing Children, Taste a Little Bit! Mother's Grief (1847); Girls from the Hartz, Return from Fields (1849); Hour of Rest, Knitting Lesson (1852); Grandmother and Granddaughter on Sunday Morning (1853), Leipsic Museum; Endangered Breakfast (1853); Altenburg Peasant Boy (1855); Old Man at Home (1859); Little Brother (1860); Reward and Scorn (1861); Before a Cap-Store, Strawberry Girls (1862); Good-for-Nothing (1864); Rabbits, Birthday Basket, Eavesdropper (1865); Kittens, Old Mothers (1866); Girls setting Table (1867); At the House-Door (1869); Bleacher Woman, Turner Girls from the Hartz (1877); Best Shot (1836), Story-Teller at Bleachery (1846), Tid-Bit (1852), National Gallery, Berlin; Woman and two Children in a Landscape (1846), Girl with Dog, Raczynski Gallery, ib.; Rest by Roadside (2, 1847), Domestic Happiness (1847), Going to Church (1850), Morning Hour (1852), Good Morning, Papa! (1855), Ravené Gallery, ib.; Evening in Venice, Schwerin Gallery; Little Strawberry Picker, Stettin Museum.—Allgem. d. Biogr., xxi. 640; Autobiography (Berlin, 1883); Illustr. Zeitg. (1879), i. 120; D. Kunstbl. (1851), 194; (1852), 419; (1855), 50, 463; (1856), 164; (1857), 460; Kunst-Chronik, i. 122; xiii. 244; xiv. 289, 342; Rosenberg, Berl. Malersch., 298; Zeitschr. f. b. K., xvi. 1, 132.
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MEYERHEIM, (EDUARD) FRANZ, born
in Berlin, Oct. 10, 1838, died at Marburg,
April 5, 1880. Genre painter, son of Friedrich
Eduard, pupil of Berlin Academy;
then studied in Düsseldorf, and from nature
among the peasantry in Hesse and Tyrol;
visited Belgium, Italy, and Switzerland.
Works: Young Page and Retainer (1858);
Children with Cat (1859); Maternal Love
(1862); Market Day (1863); Lovesick Girl,
Young Mother (1866); Hessian Peasant
Family (1867-68); Schneewittchen, Dornröschen
(1869); Gamblers
in Venice; Musical
Trio (1875); City Hall
Chamber in Goslar;
Room in Appenzell;
Stove in Appenzell
(1877); Country Girl of
Marburg, Stettin Museum.—Illustr.
Zeitg.
(1872), i. 47; (1875), ii.
31; (1880), i. 341; Kunst Chronik, v. 99;
vi. 109; xv. 448; Rosenberg, Berl. Malersch.,
302.
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MEYERHEIM, PAUL (FRIEDRICH),
born in Berlin, July
13, 1842. Genre and
animal painter, son
and pupil of Friedrich
Eduard and of Berlin
Academy; travelled
through Germany,
Tyrol, Switzerland,
Belgium, and Holland,
studied in Paris,
and visited London.
Member of Berlin Academy (1869), and of
Société belge des Aquarellistes. Medals:
Berlin, 1866, 1872; Paris, 1867; Munich,
1883. Works: History of Locomotive (7
pictures), Villa Borsig, Berlin; Sheep Shearing;
Snake Charmer in Menagerie (1864);
Goat Market; Circus Riders before Performance;
Feeding the Marmot; Wounded
Lion; Banquet of Stork and Fox; Second-*hand
Bookseller (1869), National Gallery,
Berlin; Dutch Orphan Girl, Savoyard Children
(1870); Bremen Town Musicians (1871);
Court Session of Monkeys; Monkeys after
Meal; Exhibition of Savages (1873), Suermondt
Museum, Aix-la-Chapelle; Wood-Choppers
in the Forest; Cabbage Harvest;
Hay Harvest; Little Red Riding Hood and
the Wolf; Lion Pair; Charcoal Pile in Bavarian
Mountains (1878); Monkey Academy
(1879); Portrait of Artist's Father (1877),
Dantzic Museum; Charcoal Burner in the