- terly and careful execution, transparent and
admirable colour. Works: Jeanne d'Archel (1561), National Gallery, London; Female Portrait, Earl of Essex, Lord Yarborough's Collection, ib.; Two Portraits, Mr. Neeld's Collection, ib; Male Portrait, Dwarf of Charles V., Louvre; Male Portrait (1564), Hague Museum; Portrait of Hubert Goltzius (1576), do. of Duke of Alva, Male Portrait, Brussels Museum; Philip II., Eleanor of France, Mary of Portugal, Catherine of Portugal, Mary of England, Anna of Bohemia, and seven others, Madrid Museum; Portrait of himself, Basle Museum; Bust Portraits of Two Prebendaries (1544), Male Portrait, Berlin Museum; Four Portraits, Cassel Gallery; Two Male Portraits, Dresden Gallery; Cardinal Granvella (1549), Young Man, Lady with Gold Chain (1575), Male and Female Portrait, Young Man with a Scar (1564), Archduchess Margaret of Parma, Vienna Museum; Male Portrait (1550), Portraits of Sir Thomas Gresham and Wife, Hermitage, St. Petersburg; Portrait of Cammillo Gross, do. of himself, Uffizi, Florence; others in Brunswick Gallery, Old Pinakothek, Munich, Liechtenstein and Czernin Galleries, Vienna.—Allgem. d. Biog., xxii. 210; L'Art (1881), i. 347; Immerzeel, ii. 241; Kramm, iv. 1156; Kugler (Crowe), i. 252; Ch. Blanc, École hollandaise; Michiels, vi. 255; Pinchart, Messager (1868), 324; Riegel, Beiträge, i. 67, 117; ii. 161, 163; Rooses (Reber), 71; Van den Branden, 275; Zeitschr. f. b. K., iv. 212.
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MORALES, LUIS DE, called El Divino (The Divine), born at Badajoz about 1509, died there in 1586. Spanish school; studied probably in Toledo or Valladolid, and passed his life in painting devotional subjects for churches and oratories. His works, which are all on panel, show careful drawing, correct anatomy, and fine gradations of demi-tints, and his heads are finished with the fastidious care of the early Florentine masters. Works: Mater Dolorosa, Madonna, Ecce Homo, Presentation, Head of Christ, Christian Allegory, Madrid Museum; Madonna (1546), Christ bearing Cross, Church de la Concepcion, Badajoz; Virgin and Dead Christ, Montpensier Gallery, Seville; Christ bearing Cross, Louvre; do., and Mary with St. John, Basle Museum; Ecce Homo, Dresden Gallery; do., Suermondt Museum, Aix-la-Chapelle; do., Stuttgart Museum; do., Historical Society, New York; Mater Dolorosa, Madonna, Hermitage, St. Petersburg.—Stirling, i. 224; Ch. Blanc, École espagnole; Madrazo, 459.
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MORAN, EDWARD, born in Bolton,
Lancashire, England,
Aug. 19, 1829. Marine
and figure painter
and etcher, pupil
of M. de Paris in Bolton,
of James Hamilton
and Paul Weber
in Philadelphia in
1844 (in which year
he came to America
with his parents), and
of the Royal Academy, London, in 1862;
returned to the United States in 1869;
painted in Paris in 1877-78. Elected an
A.N.A. in 1873; member of the Pennsylvania
Academy. Studio in New York. Works:
Bay of New York; Launch of the Life-Boat,
M. Read, Philadelphia; Outward Bound,
C. Sharpless, ib.; Bottom of the Sea; In
the Narrows (1873); Liberty enlightening
the World; Last from the Wreck; Arrival
of the Relief-Ship—Havre; Engagement
between Merrimack and Cumberland, Mrs.
Joseph Harrison, Philadelphia; Old Fort
Dumpling—Newport, George L. Thayer,
