vénitienne; Vasari, ed. Le Mon., xi. 263; vi. 107; Burckhardt, 735; Lübke, Gesch. ital. Mal., ii. 612; Zeitschr. f. b. K, xiii. 256.
MORGAN, FREDERICK, born in England;
contemporary. Genre painter, exhibits
at Royal Academy and Grosvenor
Gallery. Works: Summer Holiday, Parting
Shot, School Belles (1877); Motherless,
Midday Rest (1879); Nature's Mirror, Not
of the Fold (1881); Summer Storm, Merry
as the Day is Long (1882); Little Nell and
her Grandfather, Cherry Earrings (1883);
Never Mind! Besieged, May (1884); Ring
a Ring of Roses (1885); There's Room for
Two (1886).
MORGAN, WILLIAM, born in London
in 1826. Genre painter, pupil of the National
Academy schools in New York, where
his professional life has been spent. An
Associate of the National Academy. Works:
Emancipation (1868), Olyphant Collection;
Legend (1875), Governor Fairbanks, Vermont;
Song without Words (1876); Young
Mother (1879); Dolce far Niente (1880);
Minor Chords (1881); Hay-Loft, Breakfast
(1882); The Eviction, Summer (1883); An
Impromptu, Sortie, Knitting-Lesson (1884);
Andante (1885); Loves me—Loves me Not,
Blowing Bubbles (1886).
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MORGENSTERN, CHRISTIAN ERNST
BERNHARD, born in
Hamburg, Sept. 29, 1805,
died in Munich, Feb. 27,
1867. Landscape painter,
son of the miniature
painter, Johann Heinrich
Morgenstern; from 1824
pupil of Bendixen in
Hamburg, after having,
in the service of the panorama
painter Suhr, travelled
extensively in Germany, Denmark, and
Russia; visited Norway in 1827, and the year
following studied at Copenhagen Academy
and on Swedish coast; went to Munich in
1829, and visited, in the following years,
many parts of Germany, and in 1841 Upper
Italy. He was one of the foremost artists
in Munich. Honorary member of Munich
Academy, 1842. Order of Michael. Works:
Old Oaks in Swamp (1826), Mountain Path
(1828), Hamburg Art Union; Lüneburg
Heath (1830), Storm on Coast of Helgoland,
Stranded Wreck by Moonlight (1854),
Moonrise on Chiem Lake (1865), Hills near
Pöcking on Starnberg Lake, Coast of Helgoland
(1866), Munich Art Union; Moonrise
near Sea-Shore, Städel Gallery, Frankfort;
Mill in Alsace (1836), Quarries on the
Peissenberg, Kunsthalle, Hamburg; April
Day on Lake Starnberg, Leipsic Museum;
View on the Elbe by Moonlight, Stuttgart
Museum; Moonrise near Venice (1849),
Städel Gallery, Frankfort; Heath on the
Ammer, Provinzial Museum, Hanover;
View in Ammer Valley (1854), Carlsruhe
Gallery; Ravine near Dachau (1857), Breslau
Gallery; do. and Group of Ash-Trees
(1858), Vienna Museum; Isar Valley (1859),
Darmstadt Museum; Woodland near Starnberg
(1862), Prague Art Union; East Coast
of Helgoland (1863), Schack Gallery, Munich;
Heath of St. Hypolite in Alsace (1849),
Storm at Sea (1839), New Pinakothek, ib.—Andresen,
ii. 221; Dioskuren (1860), 257;
Illustr. Zeitg. (1867); Kunst-Chronik, ii. 80;
Reber, ii. 287; Regnet, ii. 40; Zeitschr. f. b.
K., vii. 128; xiv. 353.
MORGENSTERN, JOHANN LUDWIG
ERNST, born at Rudolstadt, Sept. 22, 1738,
died in Frankfort, Nov. 13, 1819. Architecture
and landscape painter, studied at
the Academy of Salzdalen in 1766, and after
having worked under Schütz in Frankfort
in 1770, and in Darmstadt in 1771-72, entered
Nothnagel's studio in Frankfort. His
architectural paintings are cold in effect,
but good in perspective, clear in colour, and
carefully executed. Works: Gothic Church
Interiors (3, 1805, 1812), Darmstadt Museum;
do. (2, one dated 1789), Gotha Museum;
Church Interior, Stuttgart Museum;
Gothic and Renaissance Church Interiors
(2, 1792, 1793), Peasant Farm, Städel Gallery,
Frankfort.—Kugler (Crowe), ii. 568.
