Gallery.—Kramm, v. 1242; Kugler (Crowe), ii. 542; Zeitschr. f. b. K., xiv. 390.
PABLILLOS DE VALLADOLID, Velasquez,
Madrid Museum; canvas, H. 6 ft. 7 in.
× 4 ft. A buffoon called Pablillos, dressed
in black, standing with right hand extended,
as if declaiming. Was supposed to be
the portrait of an actor. Etched by B.
Maura; H. Guérard.—Curtis, 32; Gaz. des
B. Arts (1880), xxii. 182; Madrazo, 626.
PABST, CAMILLE ALFRED, born at
Colmar; contemporary. Genre painter,
pupil of Comte. Medal, 3d class, 1874.
Works: Young Woman tuning Guitar
(1865); Alsace in 16th Century (1866);
At the Alchymist's (1868); Folly and Truth
(1869); Duo (1870); Alsatian Interior
(1871); Reading the Newspaper (1872);
Letter from France (1873); Alsatians preparing
to celebrate Return of French
Troops to Cities East, Alsace at Present
and in Future (1874); Married Woman of
Alsace (1875), Schöngauer Museum, Colmar;
Game of Ninepins (1876); The Noodles
(1876), Strasburg Museum; Cradle,
War-Album (1877); Druggist in Alsace, Corner
of Artist's Studio (1878); Grandfather's
Present, Studio Scraps (1879); Alsatians at
Paris (1880); Husband's Ransom (1881); Envoy
of Tonquin (1885).—Bellier, ii. 189.
PACCHIA, GIROLAMO DEL, born at
Siena, Jan. 4, 1477, died after 1535. Sienese
school; son of a Hungarian cannon
founder, Giovanni, called Del Bombarde
from his occupation, who died in 1478.
Girolamo, who was educated by his mother
as an artist, was in Rome in 1500, and in
Siena in 1515. In 1533 he was implicated
with Pacchiarotti in political troubles, and
two years afterwards left the city. His earliest
extant works, a Coronation of the Virgin,
in S. Spirito, and a Madonna with
Saints, in S. Cristoforo, Siena, are in the
manner of Raphael, though treated with
the originality of an independent talent.
The colour in the last-named picture is
powerful, brilliant, transparent, and softly
fused. His Annunciation (1518), Siena
Academy, is an inferior work, which shows
the influence of Bazzi and Francia Bigio.
In 1518 Pacchia competed with Bazzi and
Beccafumi in painting frescos in S. Bernardino,
and clearly outstripped the latter.
He repeated his Annunciation on one wall,
and designed a Nativity on another. Other
works: Holy Family and a Madonna, Siena
Academy; S. Bernardino da Siena, Madonna
with Angels, Old Pinakothek, Munich;
Holy Family, Hermitage, St. Petersburg;
Madonna, National Gallery, London.—C. &
C., Italy, iii. 380; Vasari, ed. Mil., vi. 428;
ed. Le Mon., iv. 163; vi. 38; xi. 151, 184;
Burckhardt, 559, 689; Lübke, Gesch. ital.
Mal., ii. 395.
PACCHIAROTTI, GIACOMO DI BARTOLOMMEO,
born at Siena in 1474, died
at Viteccio about 1540. Sienese school;
this artist figured largely in the civic convulsions
of Siena in the 16th century, being
now imprisoned for treason, and now outlawed,
though he was finally restored to
civil rights, and died peacefully in his bed.
All that remains of his art work are an Ascension
and a Visitation, in the Siena Academy,
and a Visitation, in the Florence Academy.
These works want compactness in
arrangement and simplicity in action. Most
of the pictures attributed to him in European
galleries are now recognized as the
work of Girolamo del Pacchia.—C. & C.,
Italy, iii. 377; Vasari, ed. Le Mon., xi. 151,
172; ed. Mil., vi. 415; Burckhardt, 689;
Lübke, Gesch. ital. Mal., ii. 393.
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PACHECO, FRANCISCO, born at Seville
in 1571, died
there in 1654.
Spanish school;
pupil of Luis
Fernandez; visited
in 1611
Toledo and Madrid,
where he
saw the works
of the great
Spanish and
Italian painters, and on his return to Seville
