Louis XIV. giving Presents to the Duchess of Burgundy (1864); Marie Antoinette in the Conciergerie (1868); Game of Vert-Vert; Interior of Saint Séverin; Marie Antoinette led to the Scaffold; St. Séverin's on Christmas Eve (1873); Communion of the Virgin (1879).
PELLEGRINO DA BOLOGNA. See Tibaldi.
PELLEGRINO DA CESENA. See Pellegrino
da San Daniele.
PELLEGRINO DA MODENA, born in
Modena in 1468 (?), died there, Nov. 20,
1524. Umbrian school; real name Pellegrino
Munari or Aretusi; son and pupil of
Giovanni Munari; mentioned as a skilful
young painter in 1483. About 1509 he went
to Rome and studied with Raphael, who employed
him as his assistant at the Vatican.
His work was so satisfactory that he was
commissioned to paint frescos in S. Eustachio
and in S. Giacomo degli Spagnuoli.
Those in the latter church, representing the
legend of St. James, still extant, are worthy
in design and execution of a scholar of Raphael.
On his return to Modena, Pellegrino
painted in churches and other public buildings,
but few of his works have survived.
He was slain in a street quarrel by the
friends of a man whom his son had killed.
A Nativity by him is in the Modena Gallery.—Ch.
Blanc, École ombrienne; Vasari, ed.
Le Mon., viii. 246; x. 4, 357; ed. Mil., iv.
649.
PELLEGRINO PELLEGRINI. See Tibaldi.
PELLEGRINO DA SAN DANIELE,
born in latter half of 15th century, died
at San Daniele, Dec. 23, 1547. Venetian
school; called also Martino da Udine; son
of Battista da San Daniele (died before
1491), a Dalmatian painter resident in Udine,
of whom no picture remains. In 1491, Martino
was the partner of a goldsmith at San
Daniele, and had contracted to decorate
with frescos the Church of Villanuova.
Probably studied under his father, and afterwards
in Venice (1494), where he perhaps
obtained the surname of Pellegrino from
Giovanni Bellini. Painted for several years
at San Daniele and Udine, but was obliged
to leave for political reasons, and spent four
years (1508-12), in Venice and Ferrara.
Up to this time his style had been chiefly
influenced by Cima, but after this his work
shows a careful study of Giorgione. In
1512 he returned to Udine and painted
thenceforth there and at San Daniele, where
he decorated the Church of Sant' Antonio
with frescos. This long and arduous task
was not completed until 1522. Among his
other works are the Madonna with Saints
(1529), Santa Maria, Cividale; Glory of St.
Joseph, Cathedral of Udine; Madonna with
Saints, Collection of Prince Giovanelli, Venice;
and Madonna enthroned with Saints,
National Gallery, London. Duchesne, who
calls him Pellegrino da Cesena, gives a list
of 66 niellos by him.—C. & C., N. Italy, ii.
189; Vasari, ed. Le Mon., ix. 28; ed. Mil.,
v. 105; Hartzen, Kunstblatt (1853), No. 24;
Duchesne, Essai sur les Nielles (Paris,
1826), 322; Lübke, Gesch. ital. Mal., ii.
583.
PELLETIER, LAURENT JOSEPH, born
at Éclaron (Haute-Marne), in 1813. Landscape
painter; appointed in 1845 professor
at the school of design in Metz. He generally
painted views of the Rhine and Northern
France. Medals: 3d class, 1841; 2d
class, 1846. Works: Bacharach, St. Goar,
Coblentz (1840); Environs of Trèves, Losch,
The Rhine, Environs of Épernay (1841); Valley
of Sierck (1846); Souvenir of Savoy, Sunset
on Edge of Forest, Entrance to the
Woods, The Moselle (1848); Bad Weather,
Pond (1852); and others (1857-78).—Bellier,
ii. 225; Larousse.
PELLICER, JOSÉ LUIS, born in Catalonia;
contemporary. Genre painter, pupil
of Giuseppe Palizzi in Rome, where he closely
studied popular life in Trastevere and in
the Ghetto. Medal, 1871. Works: Nocturnal
Hour; Governor of Arabia and Spanish
Consul at Dizifut; The Charlatan; Lottery
Prize; Montanara Square; Priest on
