Versailles Museum; Death of Turenne (1838), Marseilles Museum; Louis XV. visiting Battle-Field of Fontenoy (1840), formerly in Luxembourg; Battle of Mount Tabor, Battle of Rivoli (1845), Versailles Museum; Entrance to Pass of Mouzaïa, Defence of Mazagran (1842); Attack on Mededeah (1843); People of Sedan returning after Battle of Douzy, Battle of Oued-Jer (1844); Battle of Rivoli (1845); Due d'Orléans releasing Prisoners, Algerian Women, Street in Algiers (1846), Colonel Gourgaud saving Napoleon's Life (1848); Incident of Campaign in France, Halt of Light Cavalry, Crown of Periwinkles (1849); Last Banquet of the Girondins (1850), Marseilles Museum; General Bonaparte, Deception, Returning from Tavern (1853); Incident of Defeat of Cimbri (1855); Charge of African Cavalry at Balaklava (1859), Versailles Museum; General Forey applauded by Troops after Battle of Montebello, Emperor Napoleon embracing General Forey in the Station at Voghera, Nuns in a Chapel (1861); Battle of Montebello (1863), Versailles Museum; Battle of Diernstein (1863); Siege of Puebla, General Forey entering Mexico in Triumph—June 10, 1863 (1865); Return of Sainte-Anne-la-Palude's Pardon (1866); Arrival of Remains of Napoleon I. at Courbevoie (1867); Capture of Great Redoubt at Moskowa, St. Séverin's Sunday (1870); Bombardment of Paris (1873); Portrait of Napoleon as Lieutenant, Portraits of Generals Dampierre and Reynier, Versailles Museum; Panorama of the Defence of Paris (on the Champs Elysées, Paris); Defence of Châteaudun (1879); "They are Here" (1880); The Discovery, Wm. Astor, New York.—Bellier, ii. 263; Larousse.
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PHILISCUS, painter, date unknown; mentioned by Pliny (xxxv. 40 [141]) in connection with his picture of a Painter's Studio, with a boy blowing the fire.—Sillig, 350.
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PHILLIP, JOHN, born in Aberdeen,
April 17, 1817, died
at Kensington,
Feb. 27, 1867. History
and portrait
painter, pupil in
London of T. M.
Joy in 1836, and of
Royal Academy in
1837; exhibited
portraits in 1838-39,
and Tasso in
Disguise in 1840. During the next ten
years he painted many clever Scotch subjects,
among the best of which were Baptism
in Scotland (1850) and Scotch Washing
(1851). Visited Spain in 1852 and 1856,
after which his style changed and his art
and subjects became Spanish. Elected an
A.R.A. in 1857, and R.A. in 1859; went to
Spain again in 1860, and to Rome in 1866.
Phillip was one of the best colourists of the
British school. Works: Visit to the Gypsy
Quarter (1853), Letter Writer of Seville
(1854), belonging to the Queen; Death of
the Contrabandista (1858); Marriage of the
Princess Royal (1860); Dolores (1862);
Agua Bendita (1863); La Gloria (1864);
Early Career of Murillo (1865); Chat around
the Brasiers (1866); Antonio (1867).—Redgrave;
Wilmot-Buxton, 161; Art Journal
(1867), 127, 153; Sandby, ii. 306.
PHILLIPS, THOMAS, born at Dudley,
Warwickshire, Oct. 18, 1770, died in London,
April 20, 1845. Studied with Francis
Eginton, glass painter, Birmingham; went
to London in 1790, and was employed by
Benjamin West on the window of St.
George's Chapel, Windsor. Became an exhibitor
in 1792 at the Royal Academy;
A.R.A. in 1804, and R.A. in 1808. In 1825
he succeeded Fuseli as professor of painting,
and after his resignation, in 1832, published
his lectures on the "History and Principles
of Painting" (London, 1833). He
executed some historical subjects, but was
