Vintagers, Wine-Press (1882); Wrestlers, Hunters Resting (1883); Watering-Place in Brittany, The Ass-Driver (1884); Excavators in Paris, Mussel-Beds at Mers (1885).—Bellier, i. 986; Bitard, 807; Müller, 329; Vapereau (1880), 1131.
LELEUX, ARMAND, born in Paris in
1818, died there in June, 1885. Genre
painter, brother of Adolphe Leleux, and pupil
of Ingres. His pictures of monastic life
in Italy show great skill in the treatment of
interiors, in regard to play of light and
shade. Medals: 3d class, 1844; 2d class,
1847, 1848, and 1857; 1st class, 1859; L.
of Honour, 1860. Works: Breton Scene,
St. Jerome (1839); Return from Hunting
(1840); Interior of Stable (1841); Studio
(1842); Washerwoman at Fountain (1844);
Gypsies (1845); Swiss Dance, Alpine Hunter
(1846); Spanish Beggar Woman, Spanish
Interior (1847); Smuggler, Haymaking
(1848), Grenoble Museum; Washerwomen
(1849); St. Gothard Guide (1850); Swiss
Woman Knitting (1853, bought by Napoleon
III.); The Manola Dance, Swiss Fountain,
Lovers in the Woods (1855); Harvest-Bouquet,
Grandfather (1857); Girl Asleep,
The Message (1859); Spoiled Child (bought
by the State); Interior of a Studio, Musée
Rath, Geneva; The Painter's Maid-Servant,
Convalescent Girl, Marguerites, The Wheel-*wright's
Family (1861), Lyons Society of
Art; Wandering Singers in Rome, Dead
Capuchin (1863); Interior of a Capuchin
Pharmacy in Rome (1863), Luxembourg Museum;
Game of Chess, Kitchen of Franciscan
Convent in Rome (1864); Confession in a Convent
(1865); The Notary (1866); Locksmith
(1869); Consultation (1873); Protestant
Marriage in Switzerland (1874), Luxembourg
Museum; Duel without Witnesses (1874);
Swiss Tavern (1875); Priest's Servant (1876);
Letter of Recommendation (1878); Village
School, Italian Maid (1880); Singing Lesson,
Sunday Morning in Switzerland (1881); Andalusia,
Tasting (1882); Two Friends, Covetousness
(1883).—Bellier, i. 987; Bitard,
807; Müller, 330; Vapereau (1880), 1132.
LELIE, ADRIAAN DE, born at Tilburg,
May 19, 1755, died at Amsterdam, Nov. 30,
1820. Genre and portrait painter, pupil at
Antwerp of Peeters, a painter of ornaments,
and of Quertenmont; also studied at the
Academy, then for some time in Düsseldorf,
and settled in Amsterdam. Works: Morning
Visit (1796), Museum, Amsterdam.—Immerzeel,
ii. 167.
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LELIENBERGH, CORNELIS, flourished
at The Hague about 1650-72. Dutch school;
still-life painter; master of the guild at The
Hague in 1646, and one of the founders of
the new guild Pictura there in 1656. Works:
Dead Birds, Hague Museum; Still Life
(1652), Berlin Museum; Partridge and Turtle
Dove (1654), Dresden Museum; Dead
Rooster and Small Birds in a Pantry, Old
Pinakothek, Munich; Hunting Booty (4,
two dated 1661), Poultry for the Kitchen,
Schwerin Gallery; Still Life (1671), Weimar
Museum.—Kramm,
iv. 962;
Meyer, Gemälde
der köngl. Mus. (1883), 236; Schlie, 341.
LELIO DA NOVELLARA. See Orsi,
Lelio.
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LELOIR, ALEXANDRE LOUIS, born in
Paris, March 15, 1843,
died Jan. 28, 1884.
Genre painter, son
and pupil of J. B.
Auguste Leloir. Composition
ingenious,
and colouring excellent;
later style not
unlike that of Meissonier.
Medals:
1864, 1868, 1870; 2d
class, 1878; L. of Honour, 1876. Works:
Massacre of Innocents (1863); Daniel in
Lions' Den (1864); Jacob and the Angel
(1865); Christening of Savages in the Canary
Islands (1868); Temptation of St. Anthony
(1869, Johnston sale, New York, 1876,
for $2,100); Rallying (1870); Christening
(1873); Slave (1874); Grandfather's Birthday
(1875); Betrothal (1878); Fishery
