Thomas, Charlestown, Mass.; Land! Land! Les Adieux (1878); Luck of Roaring Camp (1881); Lovers' Quarrel (1882); Le Pleinairiste, In Normandy (Paris Salon, 1883.)
BADALOCCHIO, SISTO, born in Parma
in 1581, died in Bologna in 1647. Bolognese
school. By Malvasia called Sisto
Rosa; pupil of Annibale Carracci, who took
him to Rome and employed him in the
Palazzo Farnese. With Lanfranco, who had
been his co-disciple in Bologna, he made
drawings from Raphael's frescos in the Loggie
of the Vatican. After Carracci's death,
in 1609, he returned to Bologna, and was
later employed in Parma by the family of
Este. A good draughtsman, but execution
rather sketchy. Work: St. Francis Receiving
the Stigmata, Parma Academy.—Meyer,
Künst. Lex., ii. 527; Malvasia, iii. 517;
Burckhardt, 871.
BADIN, JULES JEAN, born in Paris,
contemporary. Figure and portrait painter,
pupil of Cabanel and Baudry. Employed at
national manufactory at Beauvais. Medal,
3d class, 1877. His Queen of Sheba is
owned by T. A. Havemeyer, New York.
BADIN, PIERRE ADOLPHE, born at
Auxerre, France, in 1805. Genre painter:
exhibited nothing after 1848. Medal, 3d
class, 1839; Legion of Honour 1849, officer
1855; 1848 to 1850 director of the Gobelins;
1850 to 1860 director of the Beauvais
manufactory; 1860 to 1870 again director
of the Gobelins. Works: Beggar Seeking
Shelter from a Storm (1833); Country Doctor
(1839); St. Germain of Auxerre, Eoarix
King of the Alans (1844), ordered by State;
Defence of St. Jean de Losne against the
Spaniards in 1636 (1847); St. Dominic
Preaching (1848).—Larousse.
BAEHR, JOHANN KARL, born at Riga,
Aug. 18, 1801, died in Dresden, Sept. 29,
1869. Portrait and history painter, pupil of
Friedrich Matthäi in Dresden; visited Italy
in 1827-29, and returned to Riga, but finding
no artistic or intellectual incentive there,
settled in Dresden in 1832, and became professor
at the Academy in 1840. His Death
of Ivan the Cruel is in the Dresden Gallery.—Allgem.
d. Biogr., i. 769; Meyer, Künst.
Lex., ii. 536; Kunst-Chronik, v. 53.
BAEN, JACOBUS DE, born at The
Hague, March, 1672, died in Vienna in
1700. Dutch school; son and pupil of Jan
de Baen. In 1688 went to England in suite
of William III. and there painted a much
admired portrait of the Duke of Colchester.
Afterwards went to Florence and painted
for the Grand Duke, and later to Rome,
where he executed historical and genre pictures.
On account of his gigantic proportions
he was called the Gladiator by his
colleagues in Rome. He afterwards worked
in Vienna.—Siret, 58; Meyer, Künst. Lex.,
ii. 537.
BAEN, JAN DE, born in Haarlem, Feb.
20, 1633, died at The Hague, buried March
8, 1702. Dutch school; portrait painter,
pupil of his uncle Piemans at Emden, and
of Jacob Backer at Amsterdam; greatly esteemed
in his time and employed by the
courts of England (where he painted Charles
II. and the queen), France, Brandenburg,
and Tuscany. Established at The Hague
about 1660. Returned from England in
1676, when he is mentioned in the registers
of the guild of painters at The Hague.
Works: Portraits in most of the public galleries
of Holland; one of the best is that of
Prince John Maurice of Nassau, National
Museum, Amsterdam; Portrait of Himself,
Dresden Gallery; portraits in the Schloss,
Berlin.—Meyer, Künst. Lex., ii. 536; De
Stuers, 5.
BAER, MAXIMILIAN, born at St. Johannis
near Nuremberg, Aug. 24, 1853.
Still life, history, and genre painter, pupil
of Nuremberg Art School under Raupp,
with whom he travelled in the Bavarian
Alps, and of Munich Academy, under Alex.
Wagner and Lindenschmit, where he won
several prizes.—Müller, 25.
BAGER, JOHANN DANIEL, born at Wiesbaden, in 1734, died Aug. 17, 1815. Portrait, genre, landscape, and fruit painter, pupil of Fiedler in Darmstadt and of Justus
