for the Hunt, Flock of Sheep, W. H. Vanderbilt, New York; Sheep—Scotch Landscape, Pyrenees—Landscape and Sheep, W. Rockefeller, New York; Landscape with Sheep, T. R. Butler, New York; Scotch Sheep, Mrs. Paran Stevens, New York; Horse Fair, Mrs. A. T. Stewart, New York; Cattle and Dog, H. Probasco, Cincinnati; Sheep, A. E. Head, San Francisco; Scotch Cattle, J. T. Martin, Brooklyn; Maternal Solicitude (1845), L. Tuckerman, New York; Deer in Fontainebleau, Mrs. R. L. Stuart, New York; Sheep, D. O. Mills, New York; Highland Sheep, H. C. Gibson, Philadelphia; The Conversation (1858), Andalusian Bulls (1867), W. T. Walters, Baltimore; Cavaliers caught in a Shower, Samuel Hawk Collection, New York.—Meyer, Gesch., 761; Müller, 64; Larousse; Portfolio (1875), 98; Hamerton, French Painters; Montrosier, Artistes modernes.—Century (1884), xxviii. 833.
BONIFAZIO BEMBO. See Bembo.
BONIFAZIO VENEZIANO, born in
Venice, flourished 1555-1579. Venetian
school; probably son of Bonifazio the elder
or younger. Works: SS. Jerome and Margaret,
SS. Bruno and Catherine, SS. Barnabas
and Sylvester, SS. Anthony and Mark
(1562), Madonna in Glory with Saints, Venice
Academy.—Lermolieff, 215; Morelli
(Richter), 178, 184.
BONIFAZIO VERONESE, the elder,
born in Verona about 1490, died in 1540.
Venetian school; pupil of Palma Vecchio,
but closely imitated Titian. Forms clear
and rounded; lights and shadows distinct;
for colour one of the first Venetian masters.
Works: Madonna with Saints (attributed to
Palma), Casa Andreossi, Milan; St. John,
St. Joseph, etc., Ambrogian Library, Milan
(attributed to Giorgione); Holy Family and
Saints, Palazzo Colonna, Rome; do. (1533),
Palazzo Ducale, Venice; do., Palazzo Pitti,
Florence (attributed by C. & C. to a Trevisan);
Finding of Moses, Dresden Gallery.—Kugler
(Eastlake), ii. 543; Lermolieff, 215;
Morelli (Richter), 184; Ridolfi, i. 369;
Lübke, Gesch. ital. Mal., ii. 565.
BONIFAZIO VERONESE, the younger,
born in Verona about 1490, died in Venice,
Oct. 19, 1533. Venetian school; near relative,
perhaps brother, of the above. Pupil
of Palma Vecchio, but close imitator of
Bonifazio the elder, with whom he painted
many pictures. Works: Supper at Emmaus,
Brera, Milan; Christ and the Apostles,
Christ enthroned with David and SS. Mark,
Louis, Dominic and Anna (1530), Venice
Academy; Christ in the Temple, Palazzo
Pitti, Florence; Supper at Emmaus, Uffizi
(attributed to Palma); Prodigal Son, Borghese
Gallery, Rome; Adoration of Shepherds
(attributed to Palma), Virgin and
Child with Saints, Dresden Gallery.—Lermolieff,
215, 221; Morelli (Richter), 184;
Kugler (Eastlake), ii. 543.
An image should appear at this position in the text. To use the entire page scan as a placeholder, edit this page and replace "{{missing image}}" with "{{raw image|Cyclopedia of painters and paintings - Volume I.djvu/220}}". Otherwise, if you are able to provide the image then please do so. For guidance, see Wikisource:Image guidelines and Help:Adding images. |  |
BONINGTON, RICHARD PARKES,
born at Arnold,
near Nottingham,
Oct. 25, 1801, died
in London, Sept.
23, 1828. His
father, a poor portrait
painter, took
him, when only
fifteen years old,
to Paris, where
the boy procured
permission to copy in the Louvre. He became
a student in the École des Beaux Arts,
and in 1819 entered the studio of Baron
Gros. After obtaining a considerable reputation
in Paris and winning the gold medal
(1824) for a marine subject, he went to Venice
and painted there some elaborate pictures
both in oil and water colours, which
won him fame and many commissions in
England, but his promising career was cut
short by death, the result of a sunstroke.
Though he painted chiefly landscape and
marine views, he also executed figure subjects
with much skill, and his influence on
the French school of genre and dramatic art
was great. Works: Column of St. Mark in
Venice, National Gallery, London; Henri
IV. and the Spanish Ambassador, Collection
