Page:Dante and His Circle, with the Italian Poets Preceding Him.djvu/22

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xviii
CONTENTS.
  1. PAGE
  2. Guido Cavalcanti.
  3.  
    Sonnet (to Dante Alighieri). He interprets Dante's Dream, related in the first Sonnet of the Vita Nuova
    ................................................................................................................................................................................................................................................................................................................................................................................................
    116
  4.  
    Sonnet. To his Lady Joan, of Florence
    ................................................................................................................................................................................................................................................................................................................................................................................................
    117
  5.  
    Sonnet. He compares all things with his Lady, and finds them wanting
    ................................................................................................................................................................................................................................................................................................................................................................................................
    118
  6.  
    Sonnet. A Rapture concerning his Lady
    ................................................................................................................................................................................................................................................................................................................................................................................................
    119
  7.  
    Ballata. Of his Lady among other Ladies
    ................................................................................................................................................................................................................................................................................................................................................................................................
    120
  8.  
    Sonnet (to Guido Orlandi). Of a consecrated Image resembling his Lady
    ................................................................................................................................................................................................................................................................................................................................................................................................
    121
  9.  
    Madrigal (Guido Orlandi to Cavalcanti). In answer to the foregoing Sonnet (by Cavalcanti)
    ................................................................................................................................................................................................................................................................................................................................................................................................
    122
  10.  
    Sonnet. Of the Eyes of a certain Mandetta, of Thoulouse, which resemble those of his Lady Joan, of Florence
    ................................................................................................................................................................................................................................................................................................................................................................................................
    123
  11.  
    Ballata. He reveals, in a Dialogue, his increasing Love for Mandetta
    ................................................................................................................................................................................................................................................................................................................................................................................................
    124
  12.  
    Sonnet (Dante Alighieri to Guido Cavalcanti). He imagines a pleasant voyage for Guido, Lapo Gianni, and himself, with their three Ladies
    ................................................................................................................................................................................................................................................................................................................................................................................................
    126
  13.  
    Sonnet (to Dante Alighieri). He answers the foregoing Sonnet (by Dante), speaking with shame of his changed Love
    ................................................................................................................................................................................................................................................................................................................................................................................................
    127
  14.  
    Sonnet (to Dante Alighieri). He reports, in a feigned Vision, the stucessful issue of Lapo Gianni's Love
    ................................................................................................................................................................................................................................................................................................................................................................................................
    128
  15.  
    Sonnet (to Dante Alighieri). He mistrusts the Love of Lapo Gianni
    ................................................................................................................................................................................................................................................................................................................................................................................................
    129
  16.  
    Sonnet. On the Detection of a false Friend
    ................................................................................................................................................................................................................................................................................................................................................................................................
    130
  17.  
    Sonnet. He speaks of a third Love of his
    ................................................................................................................................................................................................................................................................................................................................................................................................
    131
  18.  
    Ballata. Of a continual Death in Love
    ................................................................................................................................................................................................................................................................................................................................................................................................
    132
  19.  
    Sonnet. To a Friend who does not pity his Love
    ................................................................................................................................................................................................................................................................................................................................................................................................
    133
  20.  
    Ballata. He perceives that his highest Love is gone from him
    ................................................................................................................................................................................................................................................................................................................................................................................................
    134
  21.  
    Sonnet. Of his Pain from a new Love
    ................................................................................................................................................................................................................................................................................................................................................................................................
    136
  22.  
    Prolonged Sonnet (Guido Orlandi to Guido Cavalcanti). He finds fault with the Conceits of the foregoing Sonnet (by Cavalcanti)
    ................................................................................................................................................................................................................................................................................................................................................................................................
    137
  23.  
    Sonnet (Gianni Alfani to Guido Cavalcanti). On the part of a Lady of Pisa
    ................................................................................................................................................................................................................................................................................................................................................................................................
    138