town at low wages, the sisters and mothers are called to the city. As a result the Negro women outnumber the men nine or ten to eight in many cities, making what Charlotte Oilman bluntly calls "cheap women."
What shall we say to this new economic equality in a great laboring class? Some people within and without the race deplore it. "Back to the homes with the women," they cry, "and higher wage for the men." But how impossible this is has been shown by war conditions. Cessation of foreign migration has raised Negro men's wages, to be sure—but it has not only raised Negro women's wages, it has opened to them a score of new avenues of earning a living. Indeed, here, in microcosm and with differences emphasizing sex equality, is the industrial history of labor in the 19th and 20th centuries. We cannot abolish the new economic freedom of women. We cannot imprison women again in a home or require them all on pain of death to be nurses and housekeepers.
What is today the message of these black women to America and to the world? The uplift of women is, next to the problem of the color line and the peace movement, our greatest modern cause. When, now, two of these movements—woman and color—combine in one, the combination has deep meaning.
In other years women's way was clear: to be beautiful, to be petted, to bear children. Such has been their theoretic destiny and if perchance they have been ugly, hurt, and barren, that has been forgotten with studied silence. In partial compensation for this narrowed destiny the white world has lavished its
