and the shapes of the letters are different No satisfactory explanation can be offered for these differences in books that are supposed to be printed from the same blocks. It may be that the name, inserted in a very exposed place, broke down under impression, and was carelessly re-engraved. This variation is a specimen of some of the perplexing changes to be found not only in block-books but even in early typographic books. The name is usually read as George Schapff, of Augsburg, who is supposed to have been the engraver and printer of the book in 1448. The workmanship is not to his credit: Chatto says "more wretched cuts were never chiseled out by a printer's apprentice as a head-piece to a half-penny ballad."
The matter is worthy of the manner. The book professes to teach the science of palmistry, or the telling of fortunes by wrinkles in the palm of the hand. The first page contains the title, in large letters, over a piece of ornamental border and lattice-work. The page that follows contains this dedication:
"The hereinafter written Book of the Hand was made German by Doctor Hartlieb, through the Prayer and Bidding of the serene high-born Princess Dame Anna, née Brunswick, and Wife of the virtuous, blessed Prince, Duke Albert, Duke of Bavaria and Count of Voburg. This has come to pass on the Friday after the Conception of Mary, the most glorious Virgin. 1448."
The language is not clear: the date here given may be that of the translation, or of the engraving, or of the printing. The rudeness of design and engraving might lead an ordinary observer to the conclusion that the book was printed at an earlier date than 1448; but the insertion of a separate title-page, the printing of the pages on both sides of the paper, and the method of gathering the book in sections of eight leaves, teach us that the book should have been printed at a later date, when these improvements were in general use.
Doctor Hartlieb apprises his readers that he foretells the destiny of man by his right, and that of woman by her left hand. For this purpose he furnishes, on as many pages, forty-four large illustrations of the human hand, each covered with
