1441, Oct. 11. Whereas, the art and mystery of making cards and printed figures, which is in use at Venice, has fallen to decay, and this in consequence of the great quantity of printed playing cards and colored figures which are made out of Venice, to which evil it is necessary to apply some remedy, in order that the said artists, who are a great many in family, may find encouragement rather than foreigners: Let it be ordained and established, according to the petition that the said masters have supplicated, that from this time in future, no work of the said art that is printed or painted on cloth or paper—that is to say, altar-pieces, or images, or playing cards, or any other thing that may be made by the said art, either by painting or by printing—shall be allowed to be brought or imported into this city, under pain of forfeiting the work so imported, and thirty livres and twelve soldi, of which fine one-third shall go to the state, one-third to Giustizieri Vecchi, to whom this affair is committed, and one-third to the accuser. With this condition, however, that the artists who make the said works in this city shall not expose the said works for sale in any other place but their own shops, under the penalty aforesaid, except on the day of Wednesday at S. Paolo, and on Saturday at S. Marco.[1]
The engraved images here noticed were probably prints of saints or sacred personages like those of which engraved illustrations have been given on previous pages. The altar-pieces were prints upon cotton or linen cloth, of a similar character, but of much larger size.[2]
Playing cards, which are twice mentioned in the decree, seem to have been considered as of equal importance with images and altar-pieces. The specification of three distinct kinds of printed work, coupled as it is with the allusion to "any other thing that may be made by the said art," is an intimation that the manufacturers, "who were a great many
- ↑ I have used the translation as I find it in Ottley's Inquiry into the Origin and Early History of Engraving, vol. i, p. 47. The original is given by Temanza, Lettere Pittoriche, vol. v, p. 321. Temanza found this decree in an old book of regulations which belonged to a fraternity of Venetian printers.
- ↑ Weigel, in his Infancy of Printing, plate 10, presents the fac-simile of an old printed altar-piece, about eight inches wide and twenty inches long, which contains a representation of the Virgin and the infant Christ, The engraving is in outline only, The interior was colored by stencils, like the image prints.
