DOÑA ISABELLA
buttoned over full figures. O’Reilly and a group of officers from the Fort surrounded the sideboard, where Pablo, with a white napkin wrapped showily about his wrist, was pouring champagne. From the other end of the room sounded the high tinkle of the harp, and Dona Isabella’s voice:
“Listen to the mocking-bird,
Listen to the mocking-bird!”
The priests waited in the doorway until the song was finished, then went forward to pay their respects to the hostess. She was wearing the unrelieved white that grief permitted, and the yellow curls were bobbing as of old—three behind her right ear, one over either temple, and a little row across the back of her neck. As she saw the two black figures approaching, she dropped her arms from the harp, took her satin toe from the pedal, and rose, holding out a hand to each. Her eyes were bright, and her face beamed with affection for her spiritual fathers. But her greeting was a playful reproach, uttered loud enough to be heard above the murmur of conversing groups:
“I never shall forgive you, Father Joseph, nor you either, Bishop Latour, for that awful lie you made me tell in court about my age!”
The two churchmen bowed amid laughter and applause.
197
