DEATH COMES FOR THE ARCHBISHOP
Father Latour made his last entry into Santa Fé at the end of a brilliant February afternoon; Bernard stopped the horses at the foot of the long street to await the sunset.
Wrapped in his Indian blankets, the old Archbishop sat for a long while, looking at the open, golden face of his Cathedral. How exactly young Molny, his French architect, had done what he wanted! Nothing sensational, simply honest building and good stone-cutting,—good Midi Romanesque of the plainest. And even now, in winter, when the acacia trees before the door were bare, how it was of the South, that church, how it sounded the note of the South!
No one but Molny and the Bishop had ever seemed to enjoy the beautiful site of that building,—perhaps no one ever would. But these two had spent many an hour admiring it. The steep carnelian hills drew up so close behind the church that the individual pine trees thinly wooding their slopes were clearly visible. From the end of the street where the Bishop’s buggy stood, the tawny church seemed to start directly out of those rose-coloured hills—with a purpose so strong that it was like action. Seen from this distance, the Cathedral lay against the pine-splashed slopes as against a curtain. When Bernard drove slowly nearer, the backbone of the hills sank gradually, and the towers rose clear into the blue
272
