DEATH COMES FOR THE ARCHBISHOP
Mass; and that to-morrow morning, after Mass, he would hear confessions, baptize, and sanctify marriages.
After supper Father Latour took up a candle and began to examine the holy images on the shelf over the fire-place. The wooden figures of the saints, found in even the poorest Mexican houses, always interested him. He had never yet seen two alike. These over Benito’s fire-place had come in the ox-carts from Chihuahua nearly sixty years ago. They had been carved by some devout soul, and brightly painted, though the colours had softened with time, and they were dressed in cloth, like dolls. They were much more to his taste than the factory-made plaster images in his mission churches in Ohio—more like the homely stone carvings on the front of old parish churches in Auvergne. The wooden Virgin was a sorrowing mother indeed,—long and stiff and severe, very long from the neck to the waist, even longer from waist to feet, like some of the rigid mosaics of the Eastern Church. She was dressed in black, with a white apron, and a black reboso over her head, like a Mexican woman of the poor. At her right was St. Joseph, and at her left a fierce little equestrian figure, a saint wearing the costume of a Mexican ranchero, velvet trousers richly embroidered and wide at the ankle, velvet jacket and silk shirt, and a high-crowned, broad-brimmed Mexican sombrero. He was
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