THE VICAR APOSTOLIC
arrange them, then closed the ends of the tilma together and said to him:
“Go now, and do not open your mantle until you open it before your Bishop.”
Juan sped into the City and gained admission to the Bishop, who was in council with his Vicar.
“Your Grace,” he said, “the Blessed Lady who appeared to me has sent you these roses for a sign.”
At this he held up one end of his tilma and let the roses fall in profusion to the floor. To his astonishment, Bishop Zumarraga and his Vicar instantly fell upon their knees among the flowers. On the inside of his poor mantle was a painting of the Blessed Virgin, in robes of blue and rose and gold, exactly as She had appeared to him upon the hill-side.
A shrine was built to contain this miraculous portrait, which since that day has been the goal of countless pilgrimages and has performed many miracles.
Of this picture Padre Escolastico had much to say: he affirmed that it was of marvellous beauty, rich with gold, and the colours as pure and delicate as the tints of early morning. Many painters had visited the shrine and marvelled that paint could be laid at all upon such poor and coarse material. In the ordinary way of nature, the flimsy mantle would have fallen to pieces long ago. The Padre modestly pre-
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