habitation. Names give abstract meanings a physical locus and body. Formulation is thus not an after-thought or by-product; it is essential to the completion of the work of thought. Persons know many things which they cannot express, but such knowledge remains practical, direct, and personal. An individual can use it for himself; he may be able to act upon it with efficiency. Artists and executives often have their knowledge in this state. But it is personal, untransferable, and, as it were, instinctive. To formulate the significance of an experience a man must take into conscious account the experiences of others. He must try to find a standpoint which includes the experience of others as well as his own. Otherwise his communication cannot be understood. He talks a language which no one else knows. While literary art furnishes the supreme successes in stating of experiences so that they are vitally significant to others, the vocabulary of science is designed, in another fashion, to express the meaning of experienced things in symbols which any one will know who studies the science. Æsthetic formulation reveals and enhances the meaning of experiences one already has; scientific formulation supplies one with tools for constructing new experiences with transformed meanings.
To sum up: Science represents the office of intelligence, in projection and control of new experiences, pursued systematically, intentionally, and on a scale due to freedom from limitations of habit. It is the sole instrumentality of conscious, as distinct from accidental, progress. And if its generality, its remoteness from individual conditions, confer upon it a certain technicality and aloofness, these qualities are very different from those of merely speculative theorizing. The latter are in permanent dislocation from practice; the former are temporarily detached for the sake of wider and freer application in later concrete action. There is a kind of idle theory which is antithetical to practice; but genuinely
