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The Descent of Man.
Part II.

Vocal and instrumental music.—With birds the voice serves to express various emotions, such as distress, fear, anger, triumph, or mere happiness. It is apparently sometimes used to excite terror, as in the case of the hissing noise made by some nestling-birds. Audubon[1] relates that a night-heron (Ardea nycticorax, Linn.) which he kept tame, used to hide itself when a cat approached, and then "suddenly start up uttering one of the most frightful cries, apparently enjoying the cat's alarm and flight." The common domestic cock clucks to the hen, and the hen to her chickens, when a dainty morsel is found. The hen, when she has laid an egg, "repeats the same note very often, and concludes with the sixth above, which she holds for a longer time;"[2] and thus she expresses her joy. Some social birds apparently call to each other for aid; and as they flit from tree to tree, the flock is kept together by chirp answering chirp. During the nocturnal migrations of geese and other water-fowl, sonorous clangs from the van may be heard in the darkness overhead, answered by clangs in the rear. Certain cries serve as danger signals, which, as the sportsman knows to his cost, are understood by the same species and by others. The domestic cock crows, and the humming-bird chirps, in triumph over a defeated rival. The true song, however, of most birds and various strange cries are chiefly uttered during the breeding-season, and serve as a charm, or merely as a call-note, to the other sex.

Naturalists are much divided with respect to the object of the singing of birds. Few more careful observers ever lived than Montagu, and he maintained that the "males of song-birds and of many others do not in general search for the female, but, on the contrary, their business in the spring is to perch on some conspicuous spot, breathing out their full and amorous notes, which, by instinct, the female knows, and repairs to the spot to choose her mate."[3] Mr. Jenner Weir informs me that this is certainly the case with the nightingale. Bechstein, who kept birds during his whole life, asserts, "that the female canary always chooses the best singer, and that in a state of nature the female finch selects that male out of a hundred whose notes please her most."[4] There can be no doubt that birds closely attend to each other's song. Mr. Weir has told me of

  1. 'Ornithological Biograph.' vol. v. p. 601.
  2. The Hon. Daines Barrington, 'Philosoph, Transact.' 1773, p. 252.
  3. 'Ornithological Dictionary,' 1833, p. 475.
  4. 'Naturgeschichte der Stubenvögel,' 1840, s. 4. Mr. Harrison Weir likewise writes to me:—"I am informed that the best singing males generally get a mate first, when they are bred in the same room."