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Chap. XIX.
Man—Love of Ornament.
573

As the males of several quadrumanous animals have their vocal organs much more developed than in the females, and as a gibbon, one of the anthropomorphous apes, pours forth a whole octave of musical notes and may be said to sing, it appears probable that the progenitors of man, either the males or females or both sexes, before acquiring the power of expressing their mutual love in articulate language, endeavoured to charm each other with musical notes and rhythm. So little is known about the use of the voice by the Quadrumana during the season of love, that we have no means of judging whether the habit of singing was first acquired by our male or female ancestors. Women are generally thought to possess sweeter voices than men, and as far as this serves as any guide, we may infer that they first acquired musical powers in order to attract the other sex.[1] But if so, this must have occurred long ago, before our ancestors had become sufficiently human to treat and value their women merely as useful slaves. The impassioned orator, bard, or musician, when with his varied tones and cadences he excites the strongest emotions in his hearers, little suspects that he uses the same means by which his half-human ancestors long ago aroused each other's ardent passions, during their courtship and rivalry.


The Influence of Beauty in determining the Marriages of Mankind.—In civilised life man is largely, but by no means exclusively, influenced in the choice of his wife by external appearance; but we are chiefly concerned with primeval times, and our only means of forming a judgment on this subject is to study the habits of existing semi-civilised and savage nations. If it can be shewn that the men of different races prefer women having various characteristics, or conversely with the women, we have then to enquire whether such choice, continued during many generations, would produce any sensible effect on the race, either on one sex or both according to the form of inheritance which has prevailed.

It will be well first to shew in some detail that savages pay the greatest attention to their personal appearance.[2] That they have


    articulate sounds, they were communicated by tones, varied according to different degrees of gravity and acuteness."

  1. See an interesting discussion on this subject by Häckel, 'Generelle Morph,' B. ii. 1866, s. 246.
  2. A full and excellent account of the manner in which savages in all parts of the world ornament themselves, is given by the Italian traveller, Prof. Mantegazza, 'Rio de la Plata, Viaggi e Studi,' 1867, pp. 525–545; all the following statements, when other references are not given, are taken from this work. See, also, Waitz, 'Introduct. to Anthropolog.' Eng. transl. vol. i. 1863, p. 275, et passim. Lawrence also gives very full details in his