NOTICE
than anybody else can, and I am continually surprised that criticism should be so far-seeking, when the simplest ideas and most trivial circumstances are all that inspire the creations of art. Especially as regards "The Devil's Pool," as I have related in the introduction, an engraving of Holbein, that had struck me, and a real scene that I had before my eyes at the same time, while the men were sowing the crops, were all that induced me to write the modest story laid among the humble landscapes of my daily walks. If I am asked what I meant to do, I shall answer that I meant to write a very touching and very simple story, and that I have not succeeded to my satisfaction. I have indeed seen and felt the beauty of simplicity, but seeing and describing are not the same thing. The best the artist can hope for is to persuade those who have eyes to see for themselves. Look at what is simple, my kind reader; look at the sky, the fields, the trees, and at what is good and true in the peasants; you will catch a glimpse of them in my book, but you will see them much better in nature.
Nohant, the twelfth of April, 1851.
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