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THE "BEGGARS' OPERA"
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and he was brought up by his mother in Ivy Street, Barnstaple, and sent to school to Robert Luck, a would-be poet, who wrote Latin and English verses, in one of which, "The Female Phæton," he depicted the career and lapse of a fast young lady of fashionable life.

Gay was bound apprentice to a London mercer, but, his health failing, he returned to Barnstaple, where he dwelt with his uncle, the Dissenting minister, John Hanmer. The association must have been most unsuitable to both. John "toujours gai," with a poet's fancy, a buoyant heart, what more incongruous than to be lodged under the roof and nourished at the table of a sour and moody Puritan!

How and when he broke away from this depressing and distressing environment we do not know. All that is known of this early period is to be found in a little work called Gay's Chair, written by his nephew, Joseph Ballard. At the age of twenty-one he wrote his first piece, Rural Sports, which he dedicated to Pope, with whom he became afterwards allied in intimate friendship. In 1712 we find him secretary, or rather domestic steward, to the Duchess of Monmouth, in which station he continued till the beginning of the year 1714, at which time he accompanied the Earl of Clarendon to Hanover, whither that nobleman was dispatched by Queen Anne. In the latter part of the same year, in consequence of the Queen's death, he returned to England, where he lived in the highest estimation and intimacy of friendship with many persons of rank; he became, in fact, the petted lap-dog of fashionable society.

Queen Caroline, then Princess of Wales, was interested in him, and sent to invite him to read his play, The Captives, before her at Leicester House. The day