Page:Devonshire Characters and Strange Events.djvu/65

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MARIA FOOTE
31

—in the dress circle—of the first circle—in the slips—all were engaged, and would have been engaged had the theatre been double its dimensions. Even part of the orchestra was appropriated to the accommodation of visitors with guinea tickets; and an additional douceur was in the course of the evening given even for tolerable sight-room. Not the fraction of a seat was to be had; and before the rising of the curtain the whole interior of the theatre was crowded almost to suffocation. During the first scenes of the performance (The Belle's Stratagem} little else was heard than the din and bustle consequent on the adjustment and regulation of places. At length, at an advanced period of the first act, Miss Foote appeared. The utmost stillness prevailed in the house immediately previous to her expected entrée; she at length appeared, and was received with a burst of loud, continued, and enthusiastic acclamation, such as we never remember to have heard or known to have been equalled at any theatre. All the persons in the pit and, with scarcely an exception, in the boxes and other parts of the house, stood up and welcomed her return to the stage with the most marked and emphatic kindness. The waving of hats, handkerchiefs, was resorted to. There was something, too, in the manner of her appearance, which contributed greatly to enhance, while it seemed to entreat, the indulgent consideration with which the audience were inclined to receive her. She advanced with downcast look and faltering step to the front of the stage, and became affected even to tears. There was a diffidence, a timidity, and a truly distressing embarrassment in her mode of coming forward, which, together with her beauty and the recollection of her sufferings, was calculated to compel pity. It was a scene which did equal honour to the