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Introduction

presence to fetch something, the nobles and high officials noticed it. Afterwards Lady Saisho regretted it deeply. It was not so bad; only one colour was a little too pale."

That passage needs no comment; it is completely illuminating. It is a paraphrase of the whole era.

Kiōto was a little city, long one way by some seventeen thousand odd feet, or about three and a third miles, wide the other by fifteen thousand, or approximately another three miles, and it is doubtful if the space within the city wall was ever entirely covered by houses. The Palace was built in the so-called Azumaya style, a form of architecture which was also followed in noblemen's houses. The roof, or rather roofs, for there were many buildings, was covered with bark, and, inside, the divisions into rooms were made by different sorts of moving screens. At the period of the Diaries, the reigning Mikado, Ichijo, had two wives: Sadako, the first queen, was the daughter of a previous prime minister, Michitaka, a Fujiwara, of course; the other, Akiko, daughter of Michinaga, the prime minister of the Diaries and a younger brother of Michitaka, was second queen or Chūgū. These queens each occupied a separate house in the Palace. Kokiden was the name of Queen Sadako's house; Fujitsubu the name of Queen Akiko's. The rivalry between these ladies was naturally great, and extended even to their entourage. Each strove to surround herself with ladies who were not only beautiful, but learned. The bright star of Queen Sadako's court was Sei-Shōnagon, the author of a

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