There is only one thing that prompts the family to tolerate him, and that is the reflection that he is going to take Emily away from them.
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On that understanding they put up with him.
The eldest daughter's young man, in this particular case, will, you may depend upon it, choose that exact moment when the baby's life is hovering in the balance, and the cook is waiting for her wages with her box in the hall, and a coal-heaver is at the front door with a policeman, making a row about the damage to his trousers, to come in, smiling, with a specimen pot of some new high art, squashed-tomato-shade enamel paint, and suggest that they should try it on the old man's pipe.
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Then Emily will go off into hysterics, and Emily's male progenitor will firmly but quietly lead that ill-starred yet true-hearted young man to the public side of the garden-gate; and the engagement will be "off."
Too much of anything
