that would hold them, were looking stupidly on, or lying down chewing the cud of nothing particularly repaying their trouble, which they had picked up in their interrupted saunter. Some of the people of the château, and some of those of the posting-house, and all the taxing authorities, were armed more or less, and were crowded on the other side of the little street in a purposeless way, that was highly fraught with nothing. Already, the mender of roads had penetrated into the midst of a group of fifty particular friends, and was smiting himself in the breast with his blue cap. What did all this portend, and what portended the swift hoisting-up of Monsieur Gabelle behind a servant on horseback, and the conveying away of the said Gabelle (double-laden though the horse was), at a gallop, like a new version of the German ballad of Leonora?
It portended that there was one stone face too many, up at the château.
The Gorgon had surveyed the building again in the night, and had added the one stone face wanting; the stone face for which it had waited through about two hundred years.
It lay back on the pillow of Monsieur the Marquis. It was like a fine mask, suddenly startled, made angry, and petrified. Driven home into the heart of the stone figure attached to it, was a knife. Round its hilt was a frill of paper, on which was scrawled:
“Drive him fast to his tomb. This, from Jacques.”