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THE EMIGRANT RELEASED.
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proceedings, for when he and Doctor Manette emerged from the gate, there was a great crowd about it, in which there seemed to be every face he had seen in Court—except two, for which he looked in vain. On his coming out, the concourse made at him anew, weeping, embracing, and shouting, all by turns and all together, until the very tide of the river on the bank of which the mad scene was acted, seemed to run mad, like the people on the shore.

They put him into a great chair they had among them, and which they had taken either out of the Court itself, or one of its rooms or passages. Over the chair they had thrown a red flag, and to the back of it they had bound a pike with a red cap on its top. In this car of triumph, not even the Doctor's entreaties could prevent his being carried to his home on men's shoulders, with a confused sea of red caps heaving about him, and casting up to sight from the stormy deep such wrecks of faces, that he more than once misdoubted his mind being in confusion, and that he was in the tumbril on his way to the Guillotine.

In wild dreamlike procession, embracing whom they met and pointing him out, they carried him on. Reddening the snowy streets with the prevailing Republican colour, in winding and tramping through them, as they had reddened them below the snow with a deeper dye, they carried him thus into the courtyard of the building where he lived. Her father had gone on before, to prepare her, and when her husband stood upon his feet, she dropped insensible in his arms.

As he held her to his heart and turned her beautiful head between his face and the brawling crowd, so that his tears and her lips might come together unseen, a few of the people fell to dancing. Instantly, all the rest fell to dancing, and the courtyard overflowed with the Carmagnole. Then, they elevated into the vacant chair a young woman from the crowd to be carried as the Goddess of Liberty, and then swelling and overflowing out into the adjacent streets, and