DICTIONARY
OF
ARTISTS OF THE ENGLISH SCHOOL.
NOTE.
Royal Academy of Arts, London: P.R.A., President; R.A., Royal Academician; A.R.A., Associate; A.E., Associate Engraver.
Royal Scottish Academy, Edinburgh: R.S.A., Royal Scottish Academician; A.R.S.A., Associate; H.R.S.A., Honorary Scottish Academician.
Royal Hibernian Academy, Dublin: R.H.A., Academician; A.R.H.A., Associate.
A
ABBOT, J. W., amateur. Practised about 1760. He drew landscapes in the manner of Peter de Laer. He also painted insects, and there is a small etching by him of some merit. He was honorary exhibitor of landscapes with cattle and figures at the Academy from 1793 to 1810. A landscape and cattle in oil, exhibited 1794, received great contemporary praise.
ABBOT, Henry, landscape painter. Practised in London. Drew in 1818 views of the chief Roman ruins, with the panoramic environs of Rome, which he published.
ABBOTT, Edward, landscape painter. Lived many years in Long Acre, where he was eminent as a herald and coach painter. He also painted landscapes in a pleasing manner, and travelled in France and Italy with Wynne Ryland, the engraver. In 1782 he retired to Hereford, where he practised as an artist, and died, after a long illness, November 11, 1791, in his 64th year.
ABBOTT, Francis Lemuel, portrait painter. Born 1760, in Leicestershire. Son of a clergyman in that county. At the age of 14 he became the pupil of Frank Hayman, who dying two years after, he returned to his parents, and by his own perseverance attained the power of taking a correct likeness. About 1780 he settled in London, and gained reputation and employment. He first exhibited his portraits at the Academy in 1788, again in the following year, and then not till 1798. He exhibited the last time in 1800. Lord Nelson sat to him several times; and his practice greatly increasing, he would not, as was then the custom, employ an assistant. He was overwhelmed with engagements which he could not complete, and that anxiety, added to the domestic disquiet arising from an ill-assorted marriage, brought on insanity, which terminated his life early in 1893. His portraits have been engraved by Valentine Green, Skelton, Walker, and others. There is a half-length portrait of Nelson by him in the gallery at Greenwich Hospital, and a whole-length of Admiral Sir Peter Parker. His merits were limited to the head; his male portraits, in particular, were perfect in resemblance, and the finish well studied, but his figures were insipid, and his backgrounds weak and tasteless.
ABEL, John, architect. Practised with some distinction in the reigns of Charles I. and II. The Town Hall and Market House at Hereford (1618–20), at Brecon, and at Weobly, are from his design, as also the School-house at Kington and at Leominster, 1663. These buildings were handsome erections in wood, showing much constructive ability; but where they remain, repairs and alterations have deprived them of their original character. He held the appointment as one of Charles I.'s carpenters. He died 1694, aged 97, and was buried at Snaresfield, Herefordshire, where on his tomb he is styled 'architect.'
ABEL, Richard, medallist. He was a goldsmith, and was in the 27th Henry III. nominated 'to be maker and cutter of the money dies.'
ABERRY, —, engraver. He is only known by an etched portrait of Sir W. W. Wynne, after Hudson, 1753.
ABRAHAM, Robert, architect. Born 1774. Was the son of a builder, and educated as a surveyor. In the early part of his career he found employment in measuring builders' work and settling their accounts, and later in life was much engaged in valuations. When, following the peace of 1815, some impetus was given to Metropolitan architecture, he was engaged as an architect, and his works, if not of great architectural merit, showed a fitness of character and
B
