site of the statue of Athena Promachus. Northwards of this statue, we come to a staircase close to the edge of the rock, partly built, partly cut out, leading to the grotto of Aglaurus. This staircase passes downwards through a deep deft in the rock, nearly parallel in its direction to the outer wall, and opening out in the face of the cliff a little below its foundation. In the year 1845 it was possible to creep into this passage, and ascend into the Acropolis; but since that time the entrance has been closed up. Close to the Parthenon the original soil was formed of made ground in three layers of chips of stone; the lowest being of the rock of the Acropolis, the next of Pentelic marble, and the uppermost of Peirăic stone. In the extensive excavation made to the east of the Parthenon there was found a number of drums of columns, in a more or less perfect state, some much shattered, others apparently rough from the quarry, others partly worked and discarded in consequence of some defect in the material. The ground about them was strewed with marble chips; and some sculptors* tools, and jars containing red colour were found with them. In front of the eastern portico of the Parthenon we find considerable remains of a level platform, partly of smoothed rock, and partly of Peirăic paving. North of this platform is the highest part of the Acropolis. Westwards of this spot we arrive at the area between the Parthenon and Erechtheium, which slopes from the former to the latter. Near the Parthenon is a small well, or rather mouth of a cistern, excavated in the rock, which may have been supplied with water from the roof of the temple. Close to the south, or Caryatid portico of the Erechtheium, is a small levelled area on which was probably placed one of the many altars or statues surrounding that temple. Before quitting the general plan of the Acropolis, Mr. Penrose calls attention to the remarkable absence of parallelism among the several buildings. "Except the Propylaea and Parthenon, which were perhaps intended to bear a definite relation to one another, no two are parallel. This asymmetria is productive of very great beauty; for it not only obviates the dry uniformity of too many parallel lines, but also produces exquisite varieties of light and shade. One of the most happy instances of this latter effect is in the temple of Nike Apteros, in front of the southern wing of the Propylaea. The façade of this temple and pedestal of Agrippa, which is opposite to it, remain in shade for a considerable time after the front of the Propylaea has been lighted up; and they gradually receive every variety of light, until the sun is sufficiently on the decline to shine nearly equally on all the western faces of the entire group." Mr. Penrose observes that a similar want of parallelism in the separate parts is found to obtain in several of the finest mediaeval structures, and may conduce in some degree to the beauty of the magnificent Piazza of St. Marc at Venice. 2. The Propylaea. The road up the western slope of the Acropolis led from the agora, and was paved with slabs of Pentelic marble. (Ross, in the Kunstblatt, 1836, No. 60.) At the summit of the rock Pericles caused a magnificent building to be constructed, which might serve as a suitable entrance (Προπύλαια) to the wonderful works of architecture and sculpture within: — |
Όψεσβε δέ καί γάρ άνοιγνυμένων ψόφος ήδη τών Προπυλαίων. The Propylaea were considered one of the masterpieces of Athenian art, and are mentioned along with the Parthenon as the great architectural glory of the Periclean age. (Dem. c. Androt. p. 597, Reiske; Philostr. Vit. Apoll. ii. 5.) When Epaminondas was urging the Thebans to rival the glory of Athens, he told them that they must uproot the Propylaea of the Athenian Acropolis, and plant them in front of the Cadmean citadel. (Aesch. de Fals. Leg. p. 279, Reiske.)
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