CADYMAN, Sir THOMAS. [See Cademan.]
CÆDMON (sometimes corruptly written Cedmon), Saint (fl. 670), the most celebrated of the vernacular poets of Northumbria, and the reputed author of the Anglo-Saxon metrical paraphrases of the Old Testament, certainly lived in the seventh century, but the exact dates of his birth and death are unknown. The only chronological data we possess are the facts that he entered the monastery of Streaneshalch (Whitby) during the rule of the Abbess Hild, i.e. between 658 and 680, and that he was already somewhat advanced in life when he became a monk. Pits assigns his death to the year 676, and other writers to 670, but these dates appear to be quite arbitrarily fixed. It has been frequently stated, on the supposed authority of Florence of Worcester, that Cædmon died in 680. Florence, however, merely says that Hild died in that year, and it is probable that if Cædmon's death had taken place in the same year as that of his patroness Bæda would not have failed to make some remark on the coincidence.
Respecting Cædmon's personal history we have no other authoritative information than what is contained in a single chapter of Bæda's ‘Ecclesiastical History’ (iv. 24). Bæda describes him as an unlearned man of great piety and humility, who had received by divine grace such a gift of sacred poetry that he was enabled, after short meditation, to render into English verse whatever passages were translated to him out of the holy scriptures. Until quite late in life he was engaged in secular occupations, and was so far from showing any sign of poetical genius that whenever he happened to be in company where he perceived that he was about to be called upon in his turn to sing a song to the harp, he was accustomed to leave the table and return home. On one of these occasions, having quitted a party of friends and occupied himself with the care of the cattle to which on that night it was his duty to attend, he fell asleep and dreamed that he heard a voice saying to him, ‘Cædmon, sing something to me.’ He answered that he did not know how to sing, and that it was for that reason that he had come away from the supper-table. The command, however, was repeated, and Cædmon asked, ‘What shall I sing?’ ‘Sing,’ answered the voice, ‘the beginning of created things.’ Then Cædmon began to sing the praise of the Creator in words which he had never heard, and which, Bæda says, were to the following effect: ‘Now ought we to praise the founder of the heavenly kingdom, the power of the Creator, and His wise design, the deeds of the Father of glory; how He, eternal God, was the author of all things wonderful, who first created for the sons of men the heaven for a roof, and afterwards the earth—He, the almighty guardian of mankind.’ Bæda explains that his Latin rendering gives only the general sense, not the order of the words. On awaking Cædmon remembered the verses which he had sung, and added to them others of the same character. He related his dream to the steward (villicus) under whom he worked—probably the farm-bailiff of the abbey of Streaneshalch—who conducted him into the presence of the abbess, Hild, and her monks. When they had heard his story they at once perceived that the untaught herdsman had received a miraculous gift. In order to prove him further they translated to him some passage of Scripture, and requested him, if he were able, to turn it into verse. On the following day he returned, having accomplished his task, and was then received into the monastery, where he continued until his death. The abbess directed that he should be instructed in the history of the Old and New Testaments, and whatever he thus learned he reproduced from time to time in beautiful and touching verse, ‘so that his teachers were glad to become his hearers.’ We are told that ‘he sang of the creation of the world, the origin of mankind, and all the history of Genesis; of the departure of Israel from Egypt and their entrance into the land of promise, and of many other parts of Scripture history; of the Lord's incarnation, passion, resurrection, and ascension; of the coming of the Holy Ghost, and the teaching of the apostles. He also made many poems concerning the terror of future judgment, the horror of the pains of hell, and the sweetness of the heavenly kingdom.’ Bæda says that many persons had attempted to imitate Cædmon's religious poetry, but none had succeeded in equalling him. On other than sacred themes he composed nothing. How long Cædmon lived after his entrance into the monastery we do not know. He died after an illness of fourteen days, which was apparently so slight that no one expected it to end fatally. On the night of his death he surprised his attendant by asking to be removed to the apartment reserved for those who were supposed to be near their end. His request was complied with, and he passed the night in pleasant and jesting conversation. After midnight he asked for the Eucharist. Those who were with him thought
