sale 13l. 10s.; there are three copies of this interesting portrait. Sir Bevil Grenville, to the waist, in armour, prefixed to ‘Verses by the University of Oxford on the Death of the most Noble and Right Valiant Sir Bevill Grenvill …’ Oxford, 1684, 8vo. Thomas Killigrew, after William Shephard, seated at a table, with a dog by his side; first state, realised at Durrant's sale, 1856, 14l., prefixed to ‘Comedies and Tragedies written by T.K.,’ London, 1664, fol.; the original painting is in the possession of Sir J. Buller-East. Sir William Paston, Marshall's sale, 36l. 10s.; Lady Paston, Marshall's sale, 34l.; Margaret Smith, widow of Thomas Cary, and wife of Sir Edward Herbert, after Vandyck, Sykes's sale, 54l. 12s. Faithorne engraved two large maps, viz. ‘An exact Delineation of the Cities of London and Westminster and the Suburbs thereof, together with ye Burrough of Southwark and all ye thoroughfares, highwaies, streetes, lanes, and common allies with in ye same composed by a Scale and ichnographically described by Richard Newcourt of Somerton, in the Countie of Somersett, gentleman.’ This map, of which the only impression known is preserved in the department of prints, Bibliothèque Nationale, Paris, is composed of twelve sheets, which, when placed together, measure 72 inches by 39 inches. Facsimiles were issued in May 1857 by Messrs. Evans; in 1878 by Mr. Stanford, engraved by George Jarman; and in 1905 by the London Topogr. Soc. in eight folio sheets. The other map, of Virginia and Maryland, four sheets, when put together measures 36 inches by 31 inches. In the centre, above, are the royal arms of Great Britain; towards the right, below, is a portrait on a pedestal of Augustine Hermann, who was appointed by the Dutch in 1659 ambassador to Maryland. This map, said to be unique, is preserved in the Grenville Library, British Museum. Among the known original drawings and paintings by Faithorne are a portrait of Barbara Villiers, full length, after Sir Peter Lely, the property of the Duke of Buccleuch; exhibited at the Royal Academy in 1879. Portrait of Sir Martin Bowes, a munificent benefactor of the Goldsmiths' Company (Faithorne was a member of this body and served the office of warden, on which occasion he presented the portrait of Bowes); canvas, 48 inches by 38 inches, exhibited at the South Kensington Museum in 1866. Portrait of Sir Orlando Bridgeman (whose portrait Faithorne engraved) in the British Museum; portrait of the artist himself in the collection of Mr. Alfred Morrison; portrait of Francis Glisson when an old man, in the censor's room, Royal College of Physicians, London; portrait of Sir Edmund King, M.D., in water-colour, British Museum; portrait of John Milton, bust, with long flowing hair, white collar, and dark dress; canvas, 23 inches by 18 inches, exhibited at the South Kensington Museum in 1860, the property of Mr. Edmund F. Moore. Another portrait of the poet, in crayons, the property of Mr. William Baker of Bayfordbury Park, Hertford; portrait of John Ray, naturalist, in crayons, British Museum. Faithorne's portrait, painted by Robert Walker, half-length, holding in his right hand an impression of the portrait of ‘Sir Thomas Fairfax,’ now in the National Portrait Gallery. The following portraits designed by Faithorne have been engraved: Dr. Charles Leigh, engraved by J. Savage; John Seddon, by John Sturt; and John Smith, by Vanderbanc. Faithorne published ‘The Art of Graveing and Etching, wherein is exprest the true way of graveing in copper. Allso the manner and method of … Callot and Mr. Bosse in their severall ways of etching,’ 10 plates, London, 1662, 8vo, dedicated to his master, Sir Robert Peake.
[A Descriptive Catalogue of the Engraved Works of William Faithorne by Louis Fagan, London, 1888, 8vo; Walpole's Anecdotes, iii. 909; Bagford Papers, Harl. MS. 5910, iv. 157, British Museum.]
FAITHORNE, WILLIAM, the younger (1656–1701?), mezzotint engraver, born in London in 1656, was the eldest son of William Faithorne the elder [q. v.] According to Walpole he was negligent, and fell into ‘distresses which afflicted his father, and obliged him to work for booksellers;’ but Chaloner Smith remarks that this assertion cannot be true, for his father died in 1691, and as the younger man's prints reach far into Queen Anne's reign they could not possibly have been executed before his father's death; moreover his earlier pieces are inscribed ‘W. Faithorne, junior,’ and it is presumable that when the remainder were published he was ‘junior’ no longer. The exact year of his death is unknown; he was, it is said, buried in St. Martin's Churchyard, from the house of ‘Mr. Will. Copper in Half Moon Street, Covent Garden.’ Forty-three plates are known to have been engraved by him. Among these are: Anne of Denmark, when princess; Anne, when queen of England, after Dahl; Charles I; Charles II, after Ehrenstrahl; John Dryden, after Closterman; Prince Eugene, after Pfeffer; Lady Grace Gethin, after Dickson; Sir Richard Haddock, after Closterman; the Impeached Lords, four ovals, on one sheet, with titles under each: William, earl of Portland; Edward, earl of Orford; John, lord Somers; Charles, lord Halifax; John Moore,
