possession of William Graham of Airth; the third from that formerly in the possession of the Leven and Melville family; and the fourth from the Lely portrait in the possession of the Earl of Strathmore. The Leven portrait was also engraved from a sketch by C. K. Sharpe for the Bannatyne edition of ‘Dundee's Letters;’ and a copy of the Williams print is prefixed to the ‘Memoirs.’ The Strathmore portrait has been engraved for Lodge's ‘Portraits.’ One of the best portraits is said to be that in court dress at Dalkeith; and there are also others at Abbotsford, Longleat, Lee, Milton Lockhart, Boldovan House, and elsewhere. The epithet ‘Bonnie Dundee’ as applied to Claverhouse is a modern invention. The old song ‘Bonnie Dundee’ had reference solely to the town. From the verse of this song, ‘Now where got ye that feather and bonnet,’ &c., Scott seems to have borrowed the refrain of Dundee's march, ‘It's up with the bonnets of Bonnie Dundee.’ In the Bannatyne edition of ‘Dundee's Letters’ there is an engraving of a ring, which is said to have contained some of Dundee's hair, with the letters V. D. surmounted by a coronet worked on it in gold, and on the inside of the ring the engraving of a skull with the poesy ‘Great Dundee for God and me. J. Rex.’ A pistol said to have been taken from Dundee's body at Killiecrankie is now at Duntrune. Dundee's only and infant son, James, died in December 1689. His brother David, who was outlawed, died without issue in 1700. His widow, who married Viscount Kilsyth, was killed by the fall of a house in Holland.
[The statements regarding the doings of Claverhouse in Wodrow's Sufferings of the Church of Scotland, Howie's Scots Worthies, the Cloud of Witnesses, and other books written by the descendants of, or sympathisers with, the covenanters must be read with caution; but below the colouring of strong prejudice they contain a solid basis of truth, and the main purport of their assertions is sufficiently corroborated by Claverhouse's own letters and various public documents. The Letters of the Viscount Dundee, with Illustrative Documents, were printed for the Bannatyne Club, 1826; but since that publication a large additional number were discovered among the Queensberry Papers, which have been included by Napier in his Memorials of Dundee, 1859–62; a series of Letters reported on in Hist. MSS. Comm. 3rd Rep. are printed in Fraser's Red Book of Menteith. There is a large collection of letters and other documents at Duntrune, which were richly bound by Clementina Stirling-Graham [q. v.], author of Mystifications. Some letters are in the possession of local collectors at Dundee and elsewhere. For Dundee's proceedings during the highland campaign the chief authorities are Balcarres's Memoirs (Bannatyne Club); Memoirs of Ewan Cameron (ib.); Leven and Melville Papers (ib.); Appendix to vol. ix. of Acta Parl. Scot.; Macpherson's Original Papers; Mackay's Life of Lieutenant-general Mackay, 1836; Mackay's Memoirs (Abbotsford Club); Dalrymple's Memoirs of Great Britain; and James Philips's poem the Grameid, edited for the Scottish Hist. Soc. by the Rev. Alex. Murdoch, 1888. There is a variety of information in Memoirs of Dundee (more or less trustworthy), 1714; Gordon Papers (Spalding Club), 1851; Memoirs of Captain Creighton (Swift's Works); Fountainhall's Hist. Notices and his Hist. Observes; Burt's Letters from the North of Scotland; A Southern's Clavers, the Despot's Champion, 1889; and Notes and Queries, especially 1st ser. ii. 70, 134, 171, 2nd ser. v. 131, 222, vii. 54, and 3rd ser. vii. 3, 103, ix. 430. A biography of Claverhouse by Mowbray Morris is included in the series of English Worthies edited by Andrew Lang. See also Fergusson's Laird of Lag, Millar's Burgesses of Dundee, Macaulay's History of England, and Burton's History of Scotland. Claverhouse is a central figure in Scott's Old Mortality.]
GRAHAM, JOHN (fl. 1720–1775), history-painter, an Englishman by birth, went at an early age to Holland, and settled at the Hague, where he studied painting under Pieter Terwesten and Arnold Houbraken. His name appears in the lists of the Guild of St. Luke at the Hague from 1718 to 1742. He also visited Rome to study art there, and on his return visited Paris and London, though he made the Hague his home. He lived with his sister in a house, which he adorned with ceiling and other paintings from his own hand. In 1775 it appears that Graham and his sister removed to London, where he probably died at a very advanced age.
[Redgrave's Dict. of Artists; Obreen's Archief voor Nederlandsche Kunst-geschiedenis, vol. iv.; Immerzeel and Kramm's Levens en Werken der Nederlandsche Konst-schilders.]
GRAHAM, JOHN (1754–1817), painter, was born in Edinburgh in 1754. He was apprenticed to Farquhar, the leading coach-painter there, and afterwards pursued the same occupation in London, and studied in the schools of the Royal Academy. He resided in Leicester Square, London, contributed to the exhibitions of the Royal Academy from 1780 to 1797, and executed two subjects for Boydell's ‘Shakespeare Gallery.’ On 7 Feb. 1798 (see Minute of the board) he was appointed by the board of trustees for manufactures in Scotland, on the recommendation of Sir William Forbes, their teacher for the higher branches of design, and, casts of busts and statues having been procured, his academy was opened on 27 Nov. 1799 in a room in
