cation to James I. John Davies of Hereford, William Belchier, father of Daubridgcourt Belchier [q. v.], and Sir William Segar, Garter king of arms, prefixed complimentary poems. The 'Display' went through many editions. There are eight in the British Museum. To the second edition (1632) is appended R. Mab's 'Termes of Hawking and Hunting;' the third has additions by Sir R. St. George (1638); the fourth is 'corrected and much enlarged,' 1660; the fifth and sixth are dated respectively 1664 and 1666. A later edition, also calling itself 'the fifth' (published in 1679 and dedicated to Charles II), contains 'A Treatise of Honour, Military and Civil, by Captain Loggan,' with hundreds of engravings of arms and many full-length portraits, some after Vandyck. This last edition was reprinted as 'the sixth in 1724. The 'Treatise of Honor',' by Loggan, according to Wood, was written by Richard Blome [q. v.] 'a most impudent person,' who published the editions of 1660 and 1679.
Guilliam has indeed systematised and illustrated the whole science of heraldry. Fuller says that he was the first to methodise heraldry, but suspected that his efforts met with no great success. He quaintly but truly describes the 'Display' as 'noting the natures of all Creatures given in Armes, joining fansie and reason therein. Besides his Travelling all over the earth in beasts, his Industrie diggeth into the ground in pursuit of the properties of precious stones, diveth into the Water in Inquest of the qualities of Fishes, flyeth into the air after the Nature of Birds, yea, mounteth to the verie Skies about stars (but here we must call them Estoiles), and Planets, their use and influence,'
It has often been held that the credit of writing the 'Display' is really due to John Barkham [q. v.], and it is asserted that he gave the manuscript to Guillim and allowed him to publish the book in his own name, as heraldry was deemed too light a subject for him to handle. Guillim is said to have done this after making very trivial alterations. Sir W. Dugdale seems to have been the first who held this view. He wrote to Wood that Guillim was not the real author of the book, and Wood espoused this belief. From an inspection of Guillim's own manuscript, however, Ballard remarks that the charge is unjust, and Bliss, in his edition of Wood, is of the same opinion. Moule doubts whether Guillim ever received Barkham's manuscript, as the book is evidently not the production of a young man. Probably Burkham merely supplied him with some notes. S. Kent published in 1726 an abridgment of Guillim in two octavo volumes, called 'The Banner Diaplay'd.'
Guillim died 7 May 1621, it is generally supposed at Minsterworth, but there is no record of his burial there, nor in the church of St. Benet, Hythe, where many members of the College of Heralds lie. His own arms were argent, a lion rampant, ermine, collared of the first.
[Oxf. Univ. Reg. (Oxf. Hist. Soc.), vol. ii. pt. ii. p. 98; Noble's College of Arms, p. 216; Fullar's Worthies (Herefordshire); Duncumb's Herefordshire; Wood's Athenæ Oxon. (Bliss), ii. 297; Lowndes's Bibl. Man. ii. 956; Moule's Bibliotheca Heraldica, pp.72, 116, 319; Brydges's Censura Literaria, iii. 95, 96; Notes and Queries, 2nd ser. vi. 10, 403, vii. 180, viii. 17.]
GUINNESS, Sir BENJAMIN LEE (1798–1868), brewer, and restorer of St. Patrick's Cathedral, Dublin, born in Dublin 1 Nov. 1798, was third son of Arthur Guinness, brewer, Dublin, who died 9 June 1855, by Anne, eldest daughter and coheiress of Benjamin Lee of Merrion, county Dublin. He early joined his father in the practical business of the brewing firm of Arthur Guinness & Sons, and on the death of his father in 1855 became sole proprietor of a large establishment. In the management of this commercial enterprise, to the minutest details of which he personally attended, he manifested a remarkable power of organisation, the effects of which were visible in the steady growth of his fortune, and in the comfortable condition and fidelity of his workmen. Until his time Dublin stout was chiefly used in home consumption; he developed an immense export trade, and became probably the richest man in Ireland. In 1851 he was elected the first lord mayor of Dublin under the reformed corporation, and magnificently fulfilled the duties of the office. In 1860 his attention was directed to the state of St. Patrick's Cathedral, Dublin. It was so far decayed that in a few years it would have fallen in, and have become a mass of ruins. He undertook the restoration, in exact conformity to its original style, and the works were carried out under his personal superintendence at a cost of 150,000l. In 1865 the building was restored to the dean and chapter, and reopened for service 24 Feb. In 1863 he was made an LL.D. of the university of Dublin, and on 15 April 1867 created a baronet by patent, in addition to which, on 18 May 1867, by royal license, he had a grant of supporters to his family arms. On 17 July 1865 he was elected a member of parliament for the city of Dublin in the conservative interest, and continued to represent that city till his death. The citizens of Dublin and the dean and chapter of St. Patrick's presented him
