two bars of music in the upper portion and the author's portrait below. Each of the five parts has a separate title-page ; the pagination is continuous throughout. 'The Nightingale,' a poem in stanzas of sixteen lines, has a edication to the Duchess of Lennox and commendatory verse by Robert Hannay, John Marshall, William Lithgow, &c. 'Sheretine and Mariana,' a graceful narrative poem in six-line stanzas, is dedicated to the Countess of Bedford. Before the 'Songs and Sonnets' there is a dedicatory epistle to a soldier under whom Hannay had served abroad, 'Sir Andrew Gray, Knight, Colonell of a foot regiment and Generall of the Artillerie to ... Prince Fredericke King of Bohemia.' From one of the poems in the 'Songs and Sonnets' we learn that Hannay had resided for some time in the neighbourhood of Croydon, Surrey. Some of the songs are smoothly written ; but the volume is chiefly prized for the frontispiece. In 1632 a copy of commendatory verses by him was prefixed to the first collected edition of William Lithgow's 'Travels.'
A facsimile reprint of the 1622 collection of Hannay's poems was issued in 1875 by the Hunterian Club, with a memoir of the author by David Laing. Mr. Huth has a fine copy of the rare original.
[Memoir by David Laing in the Hunterian Club's reprint of Hannay's Poems ; Corser's Collectanea Anglo-Poetica ; Cat. of the Huth Library ; information kindly supplied by Captain W. Hanna, E.A., a collateral descendant.]
HANNEMAN, ADRIAEN (1601?–1668?), painter, born at the Hague about 1601, was admitted in 1619 to the guild of St. Luke at the Hague, as a pupil of Antony van Ravesteyn. He is also stated to have been a pupil of or assistant to Daniel Mytens [q. v.], his fellow-townsman, and he may have accompanied him to England. Hanneman was in England for sixteen years during the reign of Charles I. He is usually stated to have copied the manner and colouring of Vandyck, but he possessed a forcible and effective style of his own, which gives him high rank among portrait-painters. While in London he was an unsuccessful suitor for the daughter of Nicasius Russel, niece of Cornelius Jansen the painter ; Vertue saw a picture of Jansen with his wife and daughter by Hanneman in the possession of Antony Russel. About 1640 Hanneman returned to the Hague and became one of the leading painters there. He was employed to paint an allegorical figure of 'Peace' for the state council chamber, and others of 'Justice' and 'Mars' for the chamber of finance at the Hague. Hanneman was appointed the first director of the new guild of St. Luke, constituted in 1656. Hanneman was especially patronised by William II of Orange and his wife Mary, daughter of Charles I. He painted their portraits (including one of Mary painted in 1660, now at St. James's Palace, and engraved in mezzotint by W. Faithorne, jun.) and others of the exiled court at the Hague, among them being one of Charles II (engraved by H. Danckerts). There are portraits by Hanneman of Charles II and the Duke of Hamilton (painted in 1650) at Windsor Castle; of William III as a boy (1664), Peter Oliver, and Mary, princess of Orange, at Hampton Court ; of Charles I and of Vandyck at Vienna ; of William Frederick of Orange at Weimar; of Constantyn Huygens and family at the Hague ; of Jan de Witt at Rotterdam. A portrait, said to be of Andrew Marvell, painted by him in 1658, was exhibited at the National Portrait Exhibition in 1866. Hanneman's portrait of Sir Edward Nicholas (1654) was engraved by A. Hertocks, and his portrait of Mr. Honywood is in the library of Lincoln Cathedral. He occasionally painted subject pictures. Various portraits of himself are recorded. One was engraved by Bannerman in Walpole's 'Anecdotes of Painting,' and another was engraved as after Vandyck. Hanneman died at the Hague in 1668 or 1669. A son William Hanneman, was buried in the church of St. Martin-in-the-Fields, London, in 1641.
[Immerzeel's Diet, of Dutch and Flemish Artists, and Kramm's continuation of the same; Seguier's Dict. of Painters; Walpole's Anecdotes of Painting; Obreen's Archief voor Nederlandsche Kunstgeschiedenis, vols. iii. and iv.; Champlin and Perkins's Dict. of Artists.]
HANNES, Sir EDWARD, M.D. (d. 1710), physician, was the son of Edward Hannes of Devizes, Wiltshire. Peter Le Neve, who questioned Hannes's right to bear arms, states that his father 'kept an herb shop in bloomsbury mercate' (Pedigrees of Knights, Harl. Soc., p. 491). In 1678 he was admitted on the foundation at Westminster School, whence he was elected a student of Christ Church, Oxford, in 1682 (Welch, Alumni Westmon., 1852, pp. 183. 196). He graduated B. A. in 1686 and M. A. in 1689. He contributed to the collections of Oxford poems on the death of Charles II in 1685, and on William III's return from Ireland in 1690 (reprinted in 'Musarum Anglicanarum Analecta'). In 1688 he assisted William King (1663–1712) [q. v.] in writing (Reflections on Mr. Varillas his history of Heresy, Book 1, Tome 1, as far as relates to English Matters, more especially those of Wicliff,' printed probably at Amster-
