of simple wattle buildings, deriving crockets from the sprouting buds on willow-staves, cusped ornaments from curling flakes of bark on unbarked poles, and the pointed arch and groined roof from flexible poles tied together as rafters across a beam. He describes a miniature Gothic cathedral built by him in wattle-work, which is represented in the frontispiece. From 1807 to 1812 Hall represented the borough of Michael or Mitchell, Cornwall, in parliament. He died at Edinburgh on 23 June 1832, a machine invented by him for regulating high temperatures being described to the Geological Society of London after his death by his second son, Captain Basil Hall [q. v.] He married (9 Nov. 1786) Helen, second daughter of Dunbar Douglas, fourth earl of Selkirk. She died 12 July 1837. By her Hall had three sons and three daughters; the eldest son, John (1787–1860), fifth baronet, was F.R.S.; the younger ones, Basil and James, are separately noticed.
[Proc. Geol. Soc. i. 438, 478; the works above mentioned; Experimental Geology, by F. W. Rudler, in Proc. Geol. Assoc. vol. xi.; Burke's Baronetage; Gent. Mag. 1832, ii. 178–9.]
HALL, JAMES (1800?–1854), advocate and amateur painter, was the third and youngest son of Sir James Hall, bart., of Dunglass, the geologist [q. v.] He was born about 1800, and was educated for the legal profession. At the general election in June 1841, and again in February 1842, he was an unsuccessful candidate in the conservative interest for the borough of Taunton. But it was as a patron of art and an amateur portrait-painter that he was best known. He was a student of the Royal Academy, and became the friend of John Watson Gordon, Collins, Allan, and especially of Sir David Wilkie, many of whose studies and sketches he possessed, and whose favourite palette he presented to the National Gallery, where it now adorns the pedestal of Samuel Joseph's marble statue of Wilkie. He was a liberal donor to the funds of the British Institution, and both there and at the Royal Academy was an occasional exhibitor of portraits and Scottish scenery between 1835 and 1854. Among his landscapes were ‘The real Scenery of the Bride of Lammermuir,’ ‘From Burns's Monument in Ayrshire—the Island of Arran in the distance,’ ‘The Pentland Hills near Edinburgh,’ ‘Dunglass,’ ‘Tantallon Castle,’ and ‘The Linn at Ashiesteel, where it enters the Tweed.’ He painted a full-length portrait of Sir Walter Scott, whose manuscript of ‘Waverley’ he gave to the Advocates' Library at Edinburgh, and in 1838 he sent to the Royal Academy a portrait of the Duke of Wellington. His success as an artist, however, was not so great as it might have been if he had given his undivided attention to painting. His studio at 40 Brewer Street, Golden Square, was shared by Sir John Watson Gordon when in London for a short time in the season. He also wrote some speculative letters on ‘Binocular Perspective,’ which appeared in the ‘Art Journal’ for March and August 1852, and were reviewed by Sir David Brewster. Hall died unmarried at Ashestiel, Selkirkshire, the residence of his sister, Lady Russell, on 26 Oct. 1854, aged 54. A half-length portrait of him was left unfinished by Sir David Wilkie.
[Scotsman, 1 Nov. 1854; Art Journal, 1854, p. 364; Gent. Mag., 1855, i. 90; Allan Cunningham's Life of Sir David Wilkie, 1843; Royal Academy Exhibition Catalogues, 1835–53; British Institution Exhibition Catalogues (Living Artists), 1837–54.]
HALL or HALLE, JOHN (1529?–1566?), poet and medical writer, was born in 1529 or 1530, became a member of the Worshipful Company of Chirurgeons, and practised as a surgeon at Maidstone, Kent. He appears to have been a man of strong character and of great zeal in his profession.
His works are: 1. ‘Certayne Chapters taken out of the Proverbes of Solomon, with other Chapters of the Holy Scripture, and certayne Psalmes of David, translated into English Metre,’ London (Thomas Raynalde), 1549, 8vo. 2. ‘A Poesie in Forme of a Vision, briefly inveying against the most hatefull and prodigious artes of Necromancie, Witchcraft, Sorcerie, Incantations, and divers other detestable and deuilishe practises, dayly used under colour of Judiciall Astrologie,’ London, 1563, 8vo. 3. ‘The Court of Vertue, contayning many Holy or Spretuall Songes, Sonnettes, Psalmes, Balletts, and Shorte Sentences, as well of Holy Scripture, as others,’ with musical notes, London, 1565, 16mo. This book seems by the prologue to have been written in contrast to one named ‘The Court of Venus,’ which was a collection of love songs. 4. ‘A most excellent and learned woorke of chirurgerie, called Chirurgia parva Lanfranci, Lanfranke of Mylayne his briefe: reduced from dyvers translations to our vulgar-frase, and now first published in the Englyshe prynte,’ black letter, 4 pts., London, 1565, 4to. It contains a woodcut portrait of the translator, ‘æt. 35, 1564.’ 5. ‘A very frutefull and necessary briefe worke of Anatomie,’ 1565, appended to his translation of Lanfranc's ‘Chirurgia Parva.’ 6. ‘An Historiall Expostulation: Against the beastlye Abusers, both of Chyrurgerie, and Physyke, in oure tyme: with a
