into the dilapidations of St. Paul's Cathedral. Laud, bishop of London, procured a second commission, 10 April 1631 (Dugdale, Hist. of St. Paul's, 1658, p. 134; Rymer, Fœdera, 1704–32, xix. 272; Wilkins, Concilia, 1737, iv. 433, 486). Jones was subsequently appointed surveyor to the new commissioners, and undertook the office without salary (State Papers, Dom. ccxxxii. 14). The repair of the cathedral was begun in April, and foundation-stones were laid, the first by Laud, the fourth by Jones. The work was commenced at the south-west corner, and brought along by the south side to the west end. It proceeded under Jones's superintendence for above nine years, at a total cost of 101,330l. 4s. 8d. (Dugdale, Hist. of St. Paul's, 1658, p. 159). The etchings executed by Hollar for Dugdale's ‘History’ show the manner and extent of the recasting of the flanks of the cathedral, as well as the design of the western portico, which was of the Corinthian order, and among the most celebrated of Jones's works. A more authentic plan and elevation of this portico was published by Kent (Designs, 1727, ii. 54, 55). This portico was intended for the accommodation of those persons who had long frequented the nave of the cathedral, or Paul's Walk, and the charge of its erection was entirely undertaken by the king (Wilkins, Concilia, iv. 492). As the works proceeded the king resolved, in March 1637, upon the removal, not only of St. Gregory's Church, which abutted the cathedral at the south-west corner, but also of the hall and chapel of London House, so that a free passage might be made about the cathedral (Gent. Mag. October 1846, p. 384).
About 1631 Jones commenced, for the Earl of Bedford, the erection in brick and stone of St. Paul's Church and the piazza of Covent Garden, which extended round three sides of the square. The grant of the king's letters patent for the erection of the church was made 13 June 1635, but it was not consecrated until 27 Sept. 1638 (Harl. MS. fol. 31 and 32 v.). It was repaired by the Earl of Burlington in 1727, and having been destroyed by fire in 1795 was rebuilt by Thomas Hardwick [q. v.] in stone, but according to the original design. Of late years it has undergone alteration, and the body of the church has been refaced with brick. In the Crace collection in the British Museum are early views of the church and piazza (Campbell, Vitruvius Britannicus, ii. 20–2).
On 14 Sept. 1632 the queen laid the foundation-stones of her Capuchins' church designed by Jones in the tennis courtyard of Somerset House (Harl. MS. 7000, fol. 336). The warrant for the payment in full of all charges incurred in connection with this work is dated 3 April 1637 (State Papers, Dom. ccclii. 12). This chapel, which appears to have been a distinct building from that commenced for the infanta in 1623, was destroyed, with the rest of old Somerset House, in 1775. The design of the screen and altar is engraved in a small undated folio of designs by Jones and others, which was published by Isaac Ware in the last century (pp. 28–30). At Worcester College, Oxford, are drawings of two designs for additions to Somerset House, dated 1638, one of which is marked ‘not taken.’ The great gallery at Somerset House was built from Jones's design after his death in 1662 (Campbell, Vitruvius Britannicus, i. 16).
The queen's house at Greenwich was completed in 1635 by Queen Henrietta Maria, according to the date and name, which are still to be seen carved upon the front of the building. But drawings for this work at Chatsworth (formerly at Chiswick) are dated 1637, and Colin Campbell, who published the design of it in the ‘Vitruvius Britannicus’ (i. 14–15), states that it was executed in 1639. According to a plan at Worcester College the palace was intended to form the three sides of a quadrangle, of which the existing building was to have composed the central block of the central side. Some indication of these projected additions may be perceived in the parapet on either side of the house (see Salisbury, Rubens, pp. 217, 218, 222, 226, 230, 234).
The theatre of the Barber-Surgeons in Monkwell Street, London, was built by Jones in 1636 upon an elliptical plan, with seats and galleries of cedar-wood rising in four degrees. It was repaired by the Earl of Burlington about 1716, and was pulled down in 1782. The court-room which remains has been attributed to him (Transactions of the London and Middlesex Archæological Soc. 1883, vol. iii. pt. vi. p. 125; drawings at Worcester College; Ware, Designs, pp. 8–9). The church of St. Catherine Cree in Leadenhall Street is also popularly ascribed to him. The old church was taken down in 1628, and the present building was consecrated by Laud on 16 Jan. 1630–1 (see West and Toms, Churches of London, 1736, pt. i. pl. 9; cf. State Papers, Dom. ccclxvii. 88). In 1638 Jones was employed upon a new lodge at Hyde Park (ib. cccxc. 106), as well as upon the screen which formerly divided the nave from the choir of Winchester Cathedral. The stones of this screen now lie in the triforium of the south transept (cf. ib. cccxciii. 14; Designs, published by John Vardy, 1744, pl. 3).
