the second in a succession of fragments from 1630–41. A later later folio, 1692, included for the first time plays Nos. 2 and 16. Whalley's edition (7 vols. 1756) was the first attempt to edit Jonson; this was superseded in 1816 by the memorable edition of W. Gifford. Gifford's faulty text and faultier notes were reprinted, with slight improvement, by Col. Cunningham in 1875.
Jonson's portrait, by Gerard Honthorst (engraved by Vertue), is at Knole Park, Sevenoaks, the property of Lord Sackville. A copy is in the National Portrait Gallery. A miniature by Isaac Oliver is in the possession of S. E. Shirley, esq. A third portrait, by an unknown artist, belonged to the Baroness Burdett-Coutts, a fourth was placed in the Bodleian in 1732.
An engraved portrait by R. Vaughan was prefixed to the folio edition of the 'Works' of 1616 and 1640, and another, by W. Marshall, prefaced the 'Poems,' 1640. A presentation copy of Jonson's 'Volpone,' 1607, with an inscription addressed by the author to Florio, as well as a copy of Florio's translation of Montaigne's 'Essays,' containing Jonson's autograph, is in the British Museum Library.
[Fuller's Worthies, Langbaine's Dramatick Authors; Gifford's Memoir of Ben Jonson, revised by Cunningham, 1875; Mr. J. A. Symonds's Life of Ben Jonson in English Worthies Ser.; Conversations with Drummond of Hawthornden, ed. Laing; Jonson's Works, passim; Nichols's Progresses of James I; Dryden's Essay of Dramatick Poetry; Hazlitt's Bibliographical Collections; Corser's Collectanea; Extracts from the Office-book of Sir H. Herbert, quoted in Malone's Historical Account and George Chalmers's Supplemental Apology; Ellis's Original Letters, 2nd ser. iii. 307; J. C. Jeaffreson in Athenæum, 6 March 1886; The Non-such Charles, 1651, p. 170; Collier's Hist. of Stage; Athenæum, 22 April 1865; Cal. State Papers, Dom. 1619–23; Quarterly Rev. vol. cii.; On the Masques, Soergel, Die englischen Maskenspiele; J. Schmidt, Herrig's Archiv, xxvii. 55 f.; Elze, Jahrbuch der Deutschen Shaksp. Gesellschaft, iii. 150, iv. 112; Fleay's English Drama, 1891; City of London Records, 2 Sept. 1628, 10 Nov. 1631, 18 Sept. 1634; Harl. MS. 4955; Howell's Letters; Aubrey's Letters; The Return from Parnassus; Henslowe's Diary; Selden's Titles of Honour, p. 93; the Duchess of Newcastle's Life of her husband; Englische Studien, i. 181 f.; Wheatley's Introduction to Every Man in his Humour; Anglia, x. 361; Herford's Studies in the Lit. Relations of England and Germany, pp. 318 f.; Mr. Swinburne's Study of Ben Jonson, 1889, is full of ripe and suggestive criticism. Principal Ward's chapter on Jonson, in his Hist. of Engl. Drama, is perhaps the most valuable part of the work.]
JOPLIN, THOMAS (1790?–1847), writer on banking, born about 1790 at Newcastle-upon-Tyne, possibly the son of John Joplin or Jopling, sculptor there (Mackenzie, History of Newcastle, ii. 589), studied political economy, and published at Newcastle in 1822 ‘An Essay on the General Principles and Present Practices of Banking in England and Scotland; with Observations upon the Justice and Policy of an immediate Alteration in the Charter of the Bank of England, and the Measures to be pursued in order to effect it.’ This work explained the system of Scottish banking, and suggested the establishment of a joint-stock bank; it went through several editions, and attracted the notice of many statesmen, although the design was not then carried out. In 1824 the Provincial Bank of Ireland was formed in London, and Joplin became actively concerned in its management. In 1828, shortly after joint-stock banks were permitted sixty-five miles from London, Joplin left the Provincial Bank of Ireland, and submitted a scheme to his cousin, George Fife Angas [q. v.], for the association of a number of provincial banks together under a central management, but with considerable local freedom of action. He proposed to call the new concern the National Provincial Bank of England. The estimated expense of initiating the scheme was only 300l., which Angas in 1829 engaged to find, but owing to the disturbances attending the reform agitation, the plan was not carried out till 1833, when the National Provincial Bank was established. On 3 Aug. in that year Joplin's name was placed in the deed of settlement as one of the directors and as the originator of the bank (Edwin Hodder, George Fife Angas, pp. 85, 87). He helped to establish banks at Lancaster, Huddersfield, Bradford, Manchester, &c., some of which were very successful, but he derived little, if any, pecuniary benefit from his efforts. About 1836 a dispute with his fellow-directors led to the severance of his connection with the National Provincial Bank. Joplin died at Böhmischdorf in Silesia, whither he had gone for his health, on 12 April 1847. Joplin claimed for his writings considerable influence on English banking, but he has never been recognised as an authority. His works (besides those mentioned) are: 1. ‘Outlines of a System of Political Economy, written with a view to prove … that the Cause of the present Agricultural Distress is entirely artificial, and to Suggest a Plan for the Management of the Currency,’ Newcastle-
