intimacy with, the princesses. When the Royal Academy was established, Miss Moser was chosen a foundation member, and frequently contributed to its exhibitions up to 1802, sending chiefly flowers, but occasionally a classical or historical subject. She was a clever and agreeable woman, and some lively letters from her have been printed, one of them addressed to Fuseli, for whom she is believed to have formed an unrequited attachment. On 26 Oct. 1793 Miss Moser married, as his second wife, Captain Hugh Lloyd of Chelsea, and afterwards only practised as an amateur. In 1805, when West was re-elected president of the Royal Academy, the only dissentient voice was that of Fuseli, who gave his vote for Mrs. Lloyd, justifying himself with the characteristic remark that he thought 'one old woman as good as another.' Surviving her husband several years, Mrs. Lloyd died in Upper Thornhaugh Street, London, on 2 May 1819, and was buried at Kensington. Her will, of which she appointed Joseph Nollekens [q. v.] and her cousin Joseph Moser [q. v.] the executors, is printed at length in Smith's 'Nollekens and his Times.' Portraits of Mrs. Lloyd and Angelica Kauffmann, the only two ladies ever elected royal academicians, appear as pictures on the wall in Zoffany's 'Life School of the Royal Academy,' engraved by Earlom.
[W. Sandby's Hist. of the Royal Academy; J. T. Smith's Nollekens and his Times; Gent. Mag. 1793, ii. 957, 1819 i. 492; Knowles's Life of Fuseli; Royal Acad. Catalogues.]
MOSES, HENRY (1782?–1870), engraver, worked throughout the first half of the present century, enjoying a great reputation for his outline plates, which are distinguished for the purity and correctness of the drawing. His art was peculiarly suited to the representation of sculpture and antiquities, and he published many sets of plates of that class; he was one of the engravers employed upon the official publication 'Ancient Marbles in the British Museum,' 1812-1845. Of the works wholly executed by himself the most important are: 'The Gallery of Pictures painted by Benjamin West,' 12 plates, 1811; 'A Collection of Antique Vases, Altars, &c., from various Museums and Collections,' 170 plates, 1814; 'Select Greek and Roman Antiquities,' 36 plates, 1817; 'Vases from the Collection of Sir Henry Englefield,' 40 plates, 1819; 'Examples of Ornamental Sculpture in Architecture, drawn by L. Vulliamy,' 36 plates, 1823; illustrations to Goethe's 'Faust,' after Retzsch, 26 plates, 1821; illustrations to Schiller's 'Fridolin' and 'Fight with the Dragon,' 1824 and 1825; Noehden's 'Specimens of Ancient Coins of Magna Graecia and Sicily,' 24 stipple plates, 1826; 'Works of Canova,' with text by Countess Albrizzi, 3 vols. 1824-8; and 'Selections of Ornamental Sculpture from the Louvre,' 9 plates, 1828. Moses also contributed many of the illustrations to Hakewill's 'Tour of Italy,' 1820, and 'Woburn Abbey Marbles,' 1822; he etched from his own designs 'Picturesque Views of Ramsgate,' 23 plates, 1817; 'Sketches of Shipping' and 'Marine Sketch Book,' 1824 (reissued by Ackermann, 1837); and 'Visit of William IV, when Duke of Clarence, to Portsmouth in 1827,' 17 plates, 1830. Moses's latest work was a set of twenty-two illustrations to 'Pilgrim's Progress,' after H. C. Selous, executed for the Art Union of London, 1844. He died at Cowley, Middlesex, 28 Feb. 1870.
[Redgrave's Dict. of Artists; Dodd's Collections in British Museum, Add. MS. 33403; Universal Cat. of Books on Art.]
MOSES, WILLIAM (1623?–1688), serjeant-at-law, son of John Moses, merchant tailor, was born in the parish of St. Saviour, Southwark, about 1623. On 28 March 1632, being 'of nine years,' he was admitted to Christ's Hospital, and proceeded in 1639 as an exhibitioner to Pembroke Hall, now Pembroke College, Cambridge, whence he graduated M.A. Early in 1655 he was elected master of Pembroke by the unanimous vote of the fellows. Benjamin Laney [q. v.] had been ejected from the mastership in March 1644, and the post had been successively held by Richard Vines and Sydrach Simpson. Cromwell demurred to the appointment of Moses, having designed another for the post, but on representation made of the services of Moses to the college, he withdrew his previous mandate. Moses was an admirable administrator, securing for his college the possession of the benefactions of Sir Robert Hitcham [q. v.], and rebuilding much of the fabric. He 'outwitted' Cromwell by proceeding to the election to a vacant post, in advance of the expected arrival of Cromwell's nomination.
At the Restoration Laney was reinstated. Moses was not in orders, and was disinclined to enter the ministry of the established church, though he was averse from presbyterianism and in favour of moderate episcopacy. His deeply religious mind was cast in a puritan mould; he ascribes his lasting religious impressions to the 'Institutions' of William Bucanus, which he read at Christ's Hospital in the English version by Robert Hill (d. 1623)
