immediately after the other, but on unruled paper, and when the writer's imagination was warm and eager, the chirography is for the most part a compact mass of minute cramped hieroglyphics, hardly to be deciphered save by flashes of inspiration. The matter is not, in itself, of importance, and is alluded to here only as having been brought forward in connection with other insinuations, with the notice of which it seems unnecessary to soil these pages. Indeed, were I otherwise disposed, Doctor Grimshawe himself would take the words out of my mouth; his speech is far more poignant and eloquent than mine. In dismissing this episode, I will take the liberty to observe that it appears to indicate a spirit in our age less sceptical than is commonly supposed,—belief in miracles being still possible, provided only the miracle be a scandalous one.
It remains to tell how this Romance came to be published. It came into my possession (in the ordinary course of events) about eight years ago. I had at that time no intention of publishing it; and when, soon after, I left England to travel on the Continent, the manuscript, together with the bulk of my library, was packed and stored at a London repository, and was not again seen by me until last summer, when I unpacked it in this city. I then finished the perusal
