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DOMBEY AND SON.

Why did the dark eyes turn so often from this work to where the rosy children lived? They were not immediately suggestive of her loss; for they were all girls: four little sisters. But they were motherless like her—and had a father.

It was easy to know when he had gone out and was expected home, for the elder child was always dressed and waiting for him at the drawing-room window, or on the balcony; and when he appeared, her expectant face lighted up with joy, while the others at the high window, and always on the watch too, clapped their hands, and drummed them on the sill, and called to him. The elder child would come down to the hall, and put her hand in his, and lead him up the stairs; and Florence would see her afterwards sitting by his side, or on his knee, or hanging coaxingly about his neck and talking to him: and though they were always gay together, he would often watch her face as if he thought her like her mother that was dead. Florence would sometimes look no more at this, and bursting into tears would hide behind the curtain as if she were frightened, or would hurry from the window. Yet she could not help returning; and her work would soon fall unheeded from her hands again.

It was the house that had been empty, years ago. It had remained so for a long time. At last, and while she had been away from home, this family had taken it; and it was repaired and newly painted; and there were birds and flowers about it; and it looked very different from its old self. But she never thought of the house. The children and their father were all in all.

When he had dined, she could see them, through the open windows, go down with their governess or nurse, and cluster round the table; and in the still summer weather, the sound of their childish voices and clear laughter would come ringing across the street, into the drooping air of the room in which she sat. Then they would climb and clamber upstairs with him, and romp about him on the sofa, or group themselves at his knee, a very nosegay of little faces, while he seemed to tell them some story. Or they would come running out into the balcony; and then Florence would hide herself quickly, lest it should check them in their joy, to see her in her black dress, sitting there alone.

The elder child remained with her father when the rest had gone away, and made his tea for him—happy little house-keeper she was then!—and sat conversing with him, sometimes at the window, sometimes in the room, until the candles came. He made her his companion, though she was some years younger than Florence; and she could be as staid and pleasantly demure, with her little book or work-box, as a woman. When they had candles, Florence from her own dark room was not afraid to look again. But when the time came for the child to say "Good-night, Papa," and go to bed, Florence would sob and tremble as she raised her face to him, and could look no more.

Though still she would turn, again and again, before going to bed herself from the simple air that had lulled him to rest so often, long ago, and from the other low soft broken strain of music, back to that house. But that she ever thought of it, or watched it, was a secret which she kept within her own young breast.