THE ARTIST
"After the sickening stench of personality in theatrical life," the great Madame Orloff told the doctor with her usual free-handed use of language, "it is like breathing a thin, pure air to be here again with our dear inhuman old Vieyra. He hypnotizes me into his own belief that nothing matters—not broken hearts, nor death, nor success, nor first love, nor old age—nothing but the chiaroscuro of his latest acquisition."
The picture-dealer looked at her in silence, bringing the point of his white beard up to his chin with a meditative fist. The big surgeon gazed about him with appreciative eyes, touched his mustache to his gold-lined coffee-cup, and sighed contentedly. You're not the only one, my dear Olga," he said, "who finds Vieyra's hard heart a blessing. When I am here in his magnificent old den, listening to one of his frank accounts of his own artistic acumen and rejoicing in his beautiful possessions, why the rest of the world—real humanity—seems in retrospect like one great hospital full of shrieking incurables."
"Oh, humanity!" The actress thrust it away with one of her startling, vivid gestures.
"You think it very clever, my distinguished friends, to discuss me before my face," commented the old picture-dealer indifferently. He fingered the bright-colored decorations on his breast, looking down at them with absent eyes. After a moment he added, "and to show your in-ti-mate knowledge of my character."
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