Maman. Marise, coming back from school, used to feel when she opened the door of the apartment, as though she were walking into cobwebs spread around in the dark, and you mustn't on any account brush into any one of them.
Father now went on, "What are you doing with yourself?"
Marise looked down at the cahier, its pages as blank as when she had sat down. Her father looked with her. "That's lovely paper, I must say," he commented, always with his way of showing that he meant just the opposite. "Are you supposed to write on it in ink?"
"Oh, yes," cried Marise, flashing up to seize the chance of sympathy for one of her grievances, "they never let you use lead-pencils because in lead-pencil there's a chance to rub out your mistakes. You're not supposed to make any mistakes."
"Doesn't your pen get stuck in it—it must be like writing on mosquito-netting," said Father.
"Yes, it does," complained Marise, "and you spatter the ink all over and break off the tips of the pen, and everything. And the teachers just kill you if it's not perfectly neat."
Father took up the cahier and looked at the paper hard, scratching it a little with his finger-nail. "Well, there's culture in the air, anyhow," he said without smiling, although Marise knew he was quoting Maman. He looked around the room now without saying anything more. Marise followed his eyes and saw with him the dingy, high-ceilinged room, dimly lighted by the one weak candle-flame, the heavy, figured tapestry curtains drawn over the window, the draught, although the window was closed, making them suck in and out; the ugly, ugly wall-paper, dark and scriggly; the stuffed red chair, the only comfortable one, where Jeanne would never let her curl up with her feet under her, because she said the place for shoes was on the floor; the marble-topped washstand with its little chipped white earthen-ware basin and pitcher like the old things at Cousin Hetty's; the clock on the chimney-piece that looked as though it were carved out of greasy, dark-green soap with a greasy dark-green man in a Roman toga on top of it; the shabby, dingy, red-and-white checked curtains hanging over the hooks where Marise hung up her
