playing, we shall have to be very rapid. It is wisest to sketch the stationary things first. If we desire to sketch Mollie or Rosemary by their tent or climbing the breakwater or rocks, do not let us waste time waiting. Sketch a bit of the tent, the breakwater or rock, then when Mollie or Rosemary appears you will be prepared. Also, and I speak feelingly on the subject, they may dart away before you have painted the colour of their shoes, belt, or even dress—if so, write the colour tint in the margin.
But with the distant promontory and the glossy procession of rocks stretching into the sea, you will happily find something at rest. Only, remember this, never begin a sketch in the morning and finish the same at night. The light will be wholly different. Sketch a morning scene by morning, a noonday scene at noonday. If you have not done all you desired to do during those periods of time, put the sketch away until those hours recur. It is highly improbable that you will see the same effect again, for that is at once the bane and delight of sketching—its never-ending variety.
