Your nose will in all probability be smaller than the first example selected. It is a bold nose. It has a firm bridge, a rounded and full tip, curved nostrils.
Examine your own nose in a glass, and try to sketch it as I have indicated in the first example. Begin by drawing an upright line, then trace down each side of this line the bridge of the nose, with the shadows—I hope you are sitting with the light coming from one side—cast by it. Notice the round tip, and on each side the two little curved nostrils, and round each nostril the wing of flesh. These will probably be only slightly defined, for these lines deepen with age. Beneath the tip of the nose a shadow will fall, and also on the very tip will be a fainter but decided little shadow. The shape of this shadow on the tip of your nose is very important.
If your nose is slightly tip-tilted, then this shadow will be sharp and incline in a three-cornered shape upward.
If your nose is Roman, then this shadow will dip down in a firm half-moon shape.
Now incline your head away at a slight angle, and observe your nose.
Again you will notice the long straight line of the bridge, and the firm tip, and from the tip you get the decided triangular shape of the under part of the nose, with the two nostrils inclining toward the centre. The near nostril is more clearly seen than the far nostril. It is round and full and narrows toward the tip, and the wing of it curves in a very decided line.
If you close your mouth and draw in a deep breath through your nose you will notice that your nostrils will quiver and expand, and if you draw your upper lip down over your teeth, your nostrils will elongate. These observations help us to understand the muscles and movement of the nose.
The nostril of the far side is slightly hidden by the point of the nose, and presents a three-cornered form, the nostril inclining toward the tip, the wing of the nostril corresponding shaped.
Again we noticed the shadows on the tip of the nose, the
