barons and knights bachelors, which has given rise to the idea that they are the origin of King James I.'s order of baronets. Selden, indeed, points out that "the old stories" often have baronetti for bannereti, and he points out that in France the title had become hereditary; but he himself is careful to say (p. 680) that banneret "hath no relation to this later title." The title of knight banneret, with the right to display the private banner, came to be granted for distinguished service in the field. "No knight banneret," says Selden, of the English custom, "can be created but in the field, and that, when either the king is present, or at least his royal standard is displayed. But the creation is almost the self-same with that in the old French ceremonies by the solemn delivery of a banner charged with the arms of him that is to be created, and the cutting of the end of the pennon or streamer to make it a square or into the shape of a banner in case that he which is to be created had in the field his arms on a streamer before the creation." The creation of bannerets is traceable, according to Selden, to the time of Edward I. "Under these bannerets," he adds, "divers knights bachelors and esquires usually served; and according to the number of them, the bannerets received wages." The last authentic instance of the creation of a knight banneret was that of John Smith, created banneret at the battle of Edgehill by Charles I. for rescuing the royal standard from the enemy.
See Selden, Titles of Honor (3rd ed., London, 1672), p. 656; Du Cange, Glassarium (Niort, 1883), s.v. "Bannereti."
BANNERS, FEAST OF (Jap. Nobori-no-Sekku), a Japanese festival in honour of male children held on the 5th of May. Every householder who has sons fastens a bamboo pole over his door and hangs from it gaily-coloured paper fishes, one for each of his boys. These fishes are made to represent carp, which are in Japanese folklore symbolical of health and longevity. The day is recognized as a national holiday.
For banners in general see Flag.
BANNISTER, CHARLES (1738-1804), English actor and singer, was born in Gloucestershire, and after some amateur and provincial experience made his first London appearance in 1762 as Will in The Orators at the Haymarket. Gifted with a fine bass voice, Bannister acquired a reputation as a singer at Ranelagh and elsewhere, as well as an actor, and was received with such favour that Garrick engaged him for Drury Lane. He died on the 26th of October 1804.
His son John Bannister (1760-1836), born at Deptford on the 12th of May 1760, first studied to be a painter, but soon took to the stage. His first formal appearance was at the Haymarket in 1778 as Dick in The Apprentice. The same year at Drury Lane he played in James Miller's version of Voltaire's Mahomet the part of Zaphna, which he had studied under Garrick. The Palmira of the cast was Mrs Robinson ("Perdita"). Bannister was the best low comedian of his day. As manager of Drury Lane (1802) he was no less successful. He retired in 1815 and died on the 7th of November 1836. He never gave up his taste for painting, and Gainsborough, Morland and Rowlandson were among his friends.
See Adolphus's Memoirs of John Bannister (2 vols., 1838).
BANNOCK (adapted from the Gaelic, and apparently connected with Lat. panis, bread), the term used in Scotland and the north of England for a large, flattish, round sort of bun or cake, usually made of barley-meal, but also of wheat, and sometimes with currants.
BANNOCK, the name of a county in the south-east of the state of Idaho, U.S.A., and of a river in the same state, which runs northward in Oneida county into the Snake or Lewis river. It is taken from that of the Bannock Indians (see Banate), a corruption of the native Panaiti.
BANNOCKBURN, a town of Stirlingshire, Scotland. Pop. (1901) 2444. It is situated on the "burn" from which its name is derived, the Bannock (Gaelic, ban oc, "white, shining stream"), a right-hand affluent of the Forth, which was once a considerable river. The town lies 2¼ m. S.S.E. of Stirling by the Caledonian railway, and now has thriving manufactures of woollens (chiefly tweeds, carpets and tartans) and leather, though at the beginning of the 19th century it was only a village. The Bore Stone, in which Bruce planted his standard before the battle in which he defeated Edward II. in 1314 (see below), is preserved by an iron grating. A mile to the west is the Gillies' Hill, now finely wooded, over which the Scots' camp-followers appeared to complete the discomfiture of the English, to which event it owes its name. Bannockburn House was Prince Charles Edward's headquarters in January 1746 before the fight at Falkirk.
The famous battle of Bannockburn (24th June 1314) was fought for the relief of Stirling Castle, which was besieged by the Scottish forces under Robert Bruce. The English governor of Stirling had promised that, if he were not relieved by that date, he would surrender the castle, and Edward II. hastily collected an army in the northern and midland counties of England. Bruce made no attempt to defend the border, and selected his defensive position on the Bannock Burn, 2½ m. S. of Stirling. His front was covered by the marshy bed of the stream, his left flank by its northerly bend towards the Forth, his right by a group of woods, behind which, until the English army appeared, the Scots concealed themselves. Two corps were left in the open in observation, one at St Ninian's to watch the lower course of the burn, one to guard the point at which the Falkirk-Stirling road crosses the burn. On the 23rd the van of the army of Edward, which numbered about 60,000 against the 40,000 of the Scots, appeared to the south of the burn and at once despatched two bodies of men towards Stirling, the first by the direct road, the other over the lower Bannock Burn near its junction with the Forth. The former was met by the Scottish outpost on the road, and here occurred the famous single combat in which Robert Bruce, though not fully armed for battle, killed Sir Henry Bohun. The English corps which took the other route was met and after a severe struggle defeated by the second Scottish outpost near St Ninian's. The English army assembled for battle on the following day. Early on St John's day the Scottish army took up its assigned positions. Three corps of pikemen in solid masses formed the first line, which was kept out of sight behind the crest until the enemy advanced in earnest. A line of "pottes" (military pits) had been previously dug to give additional protection to the front, which extended for about one mile from wing to wing. The reserve under Bruce consisted of a corps of pikemen and a squadron of 500 chosen men-at-arms under Sir Robert Keith, the marischal of Scotland. The line of the defenders was unusually dense; Edward, in forming up on an equal front with greatly superior numbers, found his army almost hopelessly cramped. The attacking army was formed in an unwieldy mass of ten "battles," each consisting of horse and foot, and the whole formed in three lines each of three "battles," with the tenth "battle" as a reserve in rear. In this order the English moved down into the valley for a direct attack, the cavalry of each "battle" in first line, the foot in second. Ignoring the lesson of Falkirk (q.v.), the mounted men rode through the morass and up the slope, which was now crowned by the three great masses of the Scottish pikemen. The attack of the English failed to make any gap in the line of defence, many knights and men-at-arms were injured by falling into the pits, and the battle became a mêlée, the Scots, with better fortune than at Falkirk and Flodden, presenting always an impenetrable hedge of spears, the English, too stubborn to draw off, constantly trying in vain to break it down. So great was the press that the "battles" of the second line which followed the first were unable to reach the front and stood on the slope, powerless to take part in the battle on the crest. The advance of the third English line only made matters worse, and the sole attempt to deploy the archers was crushed with great slaughter by the charge of Keith's mounted men. Bruce threw his infantry reserve into the battle, the arrows of the English archers wounded the men-at-arms of their own side, and the remnants of the leading line were tired and disheartened when the final impetus to their rout was given by the historic charge of the "gillies," some thousands of Scottish camp-followers who suddenly emerged from the woods, blowing horns, waving such weapons as they possessed, and holding aloft