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public auction in 1823 for £910, but in some manner the crown retained the right of appointing a steward for seventeen years after that date.

3. Steward and Bailiff of the Manor of Northstead, Yorkshire.—This manor was crown property before 1750, but was in lease until 1838. It has no copyhold lands, nor are there any records of manor courts. There are no traces of any profits having ever been derived from the office. It was used for parliamentary purposes in 1844 and subsequently.

4. Steward of the Manor of Hempholme, Yorkshire.—This manor appears to have been of the same nature as that of Northstead. It was in lease until 1835. It was first used for parliamentary purposes in 1845 and was in constant use until 1865. It was sold in 1866.

5. Escheator of Munster.—Escheators were officers commissioned to secure the rights of the crown over property which had legally escheated to it. In Ireland mention is made of escheators as early as 1256. In 1605 the escheatorship of Ireland was split up into four, one for each province, but the duties soon became practically nominal. The escheatorship of Munster was first used for parliamentary purposes in the Irish parliament from 1793 to 1800, and in the united parliament (24 times for Irish seats and once for a Scottish seat) from 1801 to 1820. After 1820 it was discontinued and finally abolished in 1838.

6. Steward of the Manor of Old Shoreham, Sussex.—This manor belonged to the duchy of Cornwall, and it is difficult to understand how it came to be regarded as a crown appointment. It was first used for parliamentary purposes in 1756, and then, occasionally, until 1799, in which year it was sold by the duchy to the duke of Norfolk.

7. Steward of the Manor of Poynings, Sussex.—This manor reverted to the crown on the death of Lord Montague about 1804, but was leased up to about 1835. It was only twice used for parliamentary purposes, in 1841 and 1843.

8. Escheator of Ulster.—This appointment was used in the united parliament three times, for Irish seats only; the last time in 1819.

See parliamentary paper—Report from the Select Committee on House of Commons (Vacating of Seats) (1894).  (T. A. I.) 

CHILWA (incorrectly Shirwa), a shallow lake in south-east Africa, S.S.E. of Lake Nyasa, cut by 35° 20′ E., and lying between 15° and 15° 35′ S. The lake is undergoing a process of desiccation, and in some dry seasons (as in 1879 and 1903) the “open water” is reduced to a number of large pools. Formerly the lake seems to have found an outlet northwards to the Lujenda branch of the Rovuma, but with the sinking of its level it is now separated from the Lujenda by a wooded ridge some 30 to 40 ft. above the surrounding plains. There are four islands, the largest rising 500 ft. above the water. The lake was discovered by David Livingstone in 1859 and was by him called Shirwa, from a mishearing of the native name.

CHIMAERA, in Greek mythology, a fire-breathing female monster resembling a lion in the fore part, a goat in the middle, and a dragon behind (Iliad, vi. 179), with three heads corresponding. She devastated Caria and Lycia until she was finally slain by Bellerophon (see H. A. Fischer, Bellerophon, 1851). The origin of the myth was the volcanic nature of the soil of Lycia (Pliny, Nat. Hist. ii. 110; Servius on Aeneid, vi. 288), where works have been found containing representations of the Chimaera in the simple form of a lion. In modern art the Chimaera is usually represented as a lion, with a goat’s head in the middle of the back, as in the bronze Chimaera of Arezzo (5th century). The word is now used generally to denote a fantastic idea or fiction of the imagination.

CHIMAY, a town in the extreme south-east of the province of Hainaut, Belgium, dating from the 7th century. Pop. (1904) 3383. It is more commonly spoken of as being in the district entre Sambre et Meuse. Owing to its proximity to the French frontier it has undergone many sieges, the last of which was in 1640, when Turenne gave orders that it should be reduced to such ruin that it could never stand another. The town is chiefly famous for the castle and park that bear its name. Originally a stronghold of the Cröy family, it has passed through the D’Arenbergs to its present owners, the princes of Caraman-Chimay. The castle, which before Turenne’s order to demolish it possessed seven towers, has now only one in ruins, and a modern château was built in the Tudor style in the 18th century. This domain carried with it the right to one of the twelve peerages of Hainaut. Madame Tallien, daughter of Dr Cabarrus, the Lady of Thermidor, married as her second husband the prince de Chimay, and held her little court here down to her death in 1835. There is a memorial to her in the church, which also contains a fine monument of Phillippe de Cröy, chamberlain and comrade in arms of the emperor Charles V. John Froissart the chronicler died and was buried here. There is a statue in his honour on the Grand Place. Chimay is situated on a stream called the White Water, which in its lower course becomes the Viroin and joins the Meuse.

CHIME. (1) (Probably derived from a mistaken separation into two words, chimbe bell, of chymbal or chymbel, the old form of “cymbal,” Lat. cymbalum), a mechanical arrangement by which a set of bells in a church or other tower, or in a clock, are struck so as to produce a sequence of musical sounds or a tune. For the mechanism of such an arrangement in a clock and in a set of bells, see the articles Clock and Bell. The word is also applied to the tune thus played by the bells and also to the harmonious “fall” of verse, and so, figuratively, to any harmonious agreement of thought or action. (2) (From Mid. Eng. chimb, a word meaning “edge,” common in varied forms to Teutonic languages, cf. Ger. Kimme), the bevelled rim formed by the projecting staves at the ends of a cask.

CHIMERE (Lat. chimera, chimaera; O. Fr. chamarre, Mod. Fr. simarre; Ital. zimarra; cf. Span. zamarra, a sheepskin coat; possibly derived ultimately from Gr. χειμέριος, “wintry,” i.e. a winter overcoat), in modern English use the name of a garment worn as part of the ceremonial dress of Anglican bishops. It is a long sleeveless gown of silk or satin, open down the front, gathered in at the back between the shoulders, and with slits for the arms. It is worn over the rochet (q.v.), and its colour is either black or scarlet (convocation robes). By a late abuse the sleeves of the rochet were, from motives of convenience, sometimes attached to the chimere. The origin of the chimere has been the subject of much debate; but the view that it is a modification of the cope (q.v.) is now discarded, and it is practically proved to be derived from the medieval tabard (tabardum, taberda or collobium), an upper garment worn in civil life by all classes of people both in England and abroad. It has therefore a common origin with certain academic robes (see Robes, § Academic dress).

The word “chimere,” which first appears in England in the 14th century, was sometimes applied not only to the tabard worn over the rochet, but to the sleeved cassock worn under it. Thus Archbishop Scrope is described as wearing when on his way to execution (1405) a blue chimere with sleeves. But the word properly applies to the sleeveless tabard which tended to supersede, from the 15th century onwards, the inconvenient cappa clausa (a long closed cloak with a slit in front for the arms) as the out-of-doors upper garment of bishops. These chimeres, the colours of which (murrey, scarlet, green, &c.) may possibly have denoted academical rank, were part of the civil costume of prelates. Thus in the inventory of Walter Skirlawe, bishop of Durham (1405–1406), eight chimeres of various colours are mentioned, including two for riding (pro equitatura). The chimere was, moreover, a cold weather garment. In summer its place was taken by the tippet.

In the Anglican form for the consecration of bishops the newly consecrated prelate, hitherto vested in rochet, is directed to put on “the rest of the episcopal habit,” i.e. the chimere. The robe has thus become in the Church of England symbolical of the episcopal office, and is in effect a liturgical vestment. The rubric containing this direction was added to the Book of Common Prayer in 1662; and there is proof that the development of the chimere into at least a choir vestment was subsequent to the Reformation. Foxe, indeed, mentions that Hooper at his consecration wore “a long scarlet chymere down to the foot” (Acts and Mon., ed. 1563, p. 1051), a source of trouble to himself and of scandal to other extreme reformers; but that this was no more than the full civil dress of a bishop is proved by the fact that Archbishop Parker at his consecration wore surplice and tippet, and only put on the chimere, when the service was over, to go away in. This civil quality of the garment still survives alongside the other; the full dress of an Anglican prelate at civil functions of importance (e.g. in parliament, or at court) is still rochet and chimere.