limbs without a single hesitation or revoke; and the drawing of a tumbling girl (Plate IV. fig. 51) shows how credibly such contortions could be represented. The comic papyri of the XXth Dynasty have also a very strong sense of character, even through coarse drawing and some childish combinations.
The subsequent centuries show continuous decline, and in whatever branch we compare the work, we see that each dynasty was poorer than that which preceded it. The XXVIth Dynasty is often looked on as a renaissance; but when we compare similar work we see that it was poorer than the XXIInd, as that was poorer than the XIXth. The alabaster statue of Amenardus of the XXVth is faulty in pose, and perfunctory in modelling; the resemblance between this and the head of her nephew Tirhaka is perhaps the best evidence of truthful work. After this there was a strong archaistic fashion, much like that under Hadrian; in both cases it may have arrested decay, but it did not lift the art up again. The work of this age can always be detected by the faulty jointing (Plate IV. fig. 52) and muscular treatment. The elements are right enough, but there was not the vital sense to combine them properly. Hence the monstrous protuberances (Plate IV. fig. 53) on relief figures of this age; a fault which the Greek fell into in his decline, as shown in the Farnese Hercules.
Portraiture, with its limited demand on imagination and lack of ideals, was the form of art which flourished latest. The Saitic heads in basalt show a school of close observation, with fair power of rendering the personal character; and even in Roman times there still were provincial artists who could model a face very truthfully, as is shown in one case in which the stucco head (Plate IV. fig. 54) from a coffin is here superposed on the view of the actual skull to show the accuracy of the work. The school of portrait-painting belongs entirely to Greek art, and is therefore not touched upon here. (See Edgar, Catalogue of Graeco-Egyptian Coffins, 48 plates, for this subject.)
Lastly we must recognize the different schools of Egyptian sculpture which are as distinct as those of recent painting. The black-granite school in every age is the finest; its seat we do not know, but its vitality and finish always exceed those of contemporary works. The limestone school was probably the next best, to judge from the reliefs, but hardly any statues of this school have survived; it probably was seated at Memphis. The quartzite work from Jebel Ahmar near Cairo stands next, as often very fine design is found in this hard material. The red granite school of Assuan comes lower, the work being usually clumsy and with unfinished corners and details. And the lowest of all was the sandstone school of Silsila, which is always the worst. Broadly speaking, the Lower Egyptian was much better than the Upper Egyptian; a conclusion also evident in the art of the tombs done on the spot. But the secret of the black granite school, and its excellence, is the main problem unsolved in the history of the art. (W. M. F. P.)
Tools and Material Products.
Tools (see Illustrations 1 to 111).—The history of tools is a very large subject which needs to be studied for all countries; the various details of form are too numerous to specify here, but the general outline of tools used in Egypt may be briefly stated under general and special types. The general include tools for striking, slicing and scraping; the special tools are for fighting, hunting, agriculture, building and thread-work.
Striking Tools.—The wooden mallet of club form (1) was used in the VIth and XIIth Dynasties; of the modern mason’s form (2) in the XIIth and XVIIIth. The stone mace head was a sharp-edged disk (3), in the prehistoric from 31-40 sequence date; of the pear shape (4) from S.D. 42, which was actually in use till the IVth Dynasty, and represented down to Roman time. The metal or stone hammer with a long handle was unknown till Greek or Roman times; but, for beating out metal, hemispherical stones (5) were held in the hand, and swung at arm’s length overhead. Spherical hard stone hammers (6) were held in the hand for dressing down granite. The axe was at the close of the prehistoric age a square slab of copper (7) with one sharp edge; small projecting tails then appeared at each end of the back (8), and increased until the long tail for lashing on to the handle is more than half the length of the axe in an iron one of Roman (?) age (13). Flint axes were made in imitation of metal in the XIIth Dynasty (9). Battle-axes with rounded outline started as merely a sharp edge of metal (10) inserted along a stick (10, 11); they become semicircular (12) by the VIth Dynasty, lengthen to double their width in the XIIth, and then thin out to a waist in the middle by the XVIIIth Dynasty. Flint hoes (14) are common down to the XIIth Dynasty. Small copper hoes (15) with a hollow socket are probably of about the XXIInd Dynasty. Long iron picks (16), like those of modern navvies, were made by Greeks in the XXVIth Dynasty.
Slicing Tools.—The knife was originally a flint saw (17), having minute teeth; it must have been used for cutting up animals, fresh or dried, as the teeth break away on soft wood. The double-edged straight flint knife dates from S.D. 32-45. The single-edged knife (18) is from 33-65. The flint knives of the time of Menes are finely curved (19), with a handle-notch; by the end of the IInd Dynasty they were much coarser (20) and almost straight in the back. In the XIth-XIIth Dynasty they were quite straight in the back (21), and without any handle-notch. The copper knives are all one-edged with straight back (22) down to the XVIIIth Dynasty, when two-edged symmetrical knives (23) become usual. Long thin one-edged knives of iron begin about 800 B.C. Various forms of one-edged iron knives, straight (24) and curved (25), belong to Roman times. A cutting-out knife, for slicing through textiles, began double-edged (26) in the Ist Dynasty, and went through many single-edged forms (27-29) until it died out in the XXth Dynasty (Man, 1901, 123). A small knife hinged on a pointed backing of copper (31) seems to have been made for hair curling and toilet purposes. Razors (30) are known of the XIIth Dynasty, and became common in the XVIIIth. A curious blade of copper (32), straight sided, and sharpened at both ends, belongs to the close of the prehistoric age. Shears are only known of Roman age and appear to have been an Italian invention: there is a type in Egypt with one blade detachable, so that each can be sharpened apart. Chisels of bronze began of very small size (33) at S.D. 38, and reached a full size at the close of the prehistoric age. In historic times the chisels are about 1 × ½, × 6 to 8 in. long (34). Small chisels set in wooden handles are found (35) of the XIIth and XVIIIth Dynasties. Ferrules first appear in the Assyrian iron of the 7th century B.C. The rise of stone work led to great importance of heavy chisels (36) for trimming limestone and Nubian sandstone; such chisels are usually round rods about ¾ in. thick and 6 in. long. The cutting edge was about ½ in. wide for flaking tools (36), which were not kept sharp, and 1 in. wide for facing tools (37) which had a good edge. In Greek times the iron chisels are shorter and merge into wedges (39). The socketed or mortising chisel (38) is unknown till the Italian bronze of the 8th century B.C., and the Naucratis iron of the 6th century. Adzes begin in S.D. 56, as plain slips of copper (40) 4 to 6 in. long, about 1 wide and ⅛th thick. The square end was rounded in the early dynastic times, and went through a series of changes down to the XIXth Dynasty. Adzes of iron are probably of Greek times. A fine instance of a handle about 4 ft. long is represented in the IIIrd Dynasty (P.M. XI.). The adze (41) was used not only for wood-work but also for dressing limestone.
Scraping Tools.—Flint scrapers are found from S.D. 40 and onward. The rectangular scraper (42) began in S.D. 63, and continued into the IInd Dynasty: the flake with rounded ends (43) was used from the Ist to the IVth Dynasty (P. Ab. i. xiv., xv.). Round scrapers were also made (44). Flint scrapers were used in dressing down limestone sculpture in the IIIrd Dynasty. Rasps of conical form (45), made of a sheet of bronze punched and coiled round, were common in the XVIIIth Dynasty, apparently as personal objects, possibly used for rasping dried bread. In the Assyrian iron tools of the 7th century B.C. the long straight rasp (46) is exactly of the modern type. The saw is first found as a notched bronze knife of the IIIrd Dynasty. Larger toothed saws (47) are often represented in the IVth-VIth Dynasty,
